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Mimi Rogers (b. 1956)

Birthplace:
Coral Gables, Florida, USA

Born:
January 27, 1956

Biography from TheMovieDB

Miriam 'Mimi' Rogers (née Spickler; born January 27, 1956) is an American actress and competitive poker player. Her notable film roles are Gung Ho (1986), Someone to Watch Over Me (1987), Desperate Hours (1990), and Full Body Massage (1995). She garnered the greatest acclaim of her career for her role in the religious drama The Rapture (1991), with critic Robin Wood declaring that she "gave one of the greatest performances in the history of the Hollywood cinema."  Rogers has since appeared in Reflections on a Crime (1994), The Mirror Has Two Faces (1996), Austin Powers: International Man of Mystery (1997), Lost in Space (1998), Ginger Snaps (2000), The Door in the Floor (2004), and For a Good Time, Call... (2012).  Her extensive work in television includes Paper Dolls (1984), Weapons of Mass Distraction (1997), The Loop (2006–2007), and recurring roles on The X-Files (1998–1999), Two and a Half Men (2011–2015), Wilfred (2014), Mad Men (2015), Bosch (2014–2021), and Bosch: Legacy (2022).

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Additional information:

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Film Performances

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Film Production

Executive Producer:
1997  Tricks
1999  The Devil's Arithmetic
2000  Harlan County War
2001  My Horrible Year!
2002  Charms for the Easy Life

Producer:
1997  Tricks
1999  The Devil's Arithmetic
2000  Harlan County War
2001  My Horrible Year!
2002  Charms for the Easy Life
2010  Unstoppable

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TV Performances

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.