A work in constant progress (and occasional regress).
Release Date:
November 5, 1995
Original Title:
Full Body Massage
Alternate Titles:
El masaje
Il massaggio dell'anima
Testmasszázs
Полный массаж тела
Genres:
Drama | TV Movie
Production Companies:
Full Body Productions Inc.
Showtime Networks
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 93
Nina, an art dealer, has her weekly massage appointment and is surprised to find out her usual masseur, Douglas, has sent a replacement named Fitch. The pair develop an easy rapport during the session, with talk about past relationships. As Nina lies topless on the massage table, Fitch also takes time to explain various massage techniques, including those used by Hopi medicine men.
ADR Supervisor:
Tim Boggs
Costume Design:
Deena Appel
Director:
Nicolas Roeg
Director of Photography:
Anthony B. Richmond
Editor:
Louise Rubacky
Executive Producer:
Robert Littman
First Assistant Director:
Drew Ann Rosenberg
Gaffer:
Jon R. Tower
Key Hair Stylist:
Suzanne M. Willett
Key Makeup Artist:
Suzanne M. Willett
Makeup Artist:
Suzanne M. Willett
Original Music Composer:
Harry Gregson-Williams
Producer:
Michael Nolin
Julie Ahlberg
Production Design:
Jeff Schell
Script Supervisor:
Benita Brazier
Second Assistant Director:
Sholto J. Roeg
Set Decoration:
Patricia Elias
Sound Editor:
Marc Vanocur
Sound Effects Editor:
Frank Gaeta
David Melhase
Ken Young
Sound Supervisor:
Scott Wolf
Special Effects Coordinator:
Frank Ceglia
Still Photographer:
Gemma La Mana
Unit Production Manager:
Julie Ahlberg
Writer:
Dan Gurskis
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.