A work in constant progress (and occasional regress).
Release Date:
April 3, 1998
Original Title:
Lost in Space
Alternate Titles:
Chaménoi sto Diástima
Izgubljeni u svemiru
LIS太空号
Lost in Space - Elveszve az űrben
Lost in Space - The Movie
Lost in space - matkalla avaruuteen
Lost in space - perduti nello spazio
Zahubleni u kosmosi
Zateryannyye v kosmose
迷失太空
Genres:
Adventure | Science Fiction
Production Companies:
Irwin Allen Productions
New Line Cinema
Prelude Pictures
Saltire Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AU: PG BE: 14 BR: 12 CH: 12 CZ: 12+ DE: 12 DK: 15 FI: K-12 GB: PG HU: 16|12 IE: PG KR: All NL: 14 NO: 12 PT: M/12 RU: 16+ SE: 15 US: PG-13
Runtime: 130
The prospects for continuing life on Earth in the year 2058 are grim. So the Robinsons are launched into space to colonize Alpha Prime, the only other inhabitable planet in the galaxy. But when a stowaway sabotages the mission, the Robinsons find themselves hurtling through uncharted space.
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3D Supervisor:
Iain Anderson
ADR Editor:
Philip Alton
ADR Recordist:
Ted Swanscott
ADR Voice Casting:
Louis Elman
Accountant:
Brenda Coxon
Additional Director of Photography:
Ken Coles
Additional Gaffer:
Micky Woolaard
Animation:
Michael Schlingmann
Animation Supervisor:
Uli Meyer
Art Department Coordinator:
Kirstie Stephenson
Art Direction:
David Lee
Nick Palmer
Steven Lawrence
Assistant Accountant:
Chrissie Richardson
Assistant Costume Designer:
Nigel Egerton
Assistant Editor:
Adrian Kays
Assistant Makeup Artist:
Jane Royle
Assistant Production Coordinator:
Clare Macdonald
Associate Editor:
Matthew Glen
Associate Producer:
Chris Carreras
Best Boy Electric:
Billy Merrell
Boom Operator:
Clive Copland
CG Animator:
Andrew Daffy
Camera Loader:
Derek Walker
Camera Operator:
Mike Roberts
Camera Trainee:
Melissa Byers
Carpenter:
Colin Clarke
Steve Alder
Casting:
Allison Cowitt
Mike Fenton
Mary Selway
Clapper Loader:
Skip Margetts
Co-Executive Producer:
Michael Ilitch Jr.
Co-Producer:
Kris Wiseman McIntyre
Tim Hampton
Color Timer:
John Heath
Compositing Supervisor:
Ed Hawkins
Conductor:
Bruce Broughton
Construction Coordinator:
Sue Hausner
Costume Design:
Vin Burnham
Robert Bell
Costume Supervisor:
Rosemary Burrows
Craft Service:
Sarah Robinson
Dialogue Coach:
Andrew Jack
Dialogue Editor:
Teri E. Dorman
Suhail Kafity
David A. Arnold
Digital Color Timer:
Mike Sowa
Digital Colorist:
Julian Crowe
Digital Compositors:
Colin Alway
Digital Effects Producer:
Deanna Gould
Digital Effects Supervisor:
Phil Attfield
Director:
Stephen Hopkins
Director of Photography:
Peter Levy
Dolby Consultant:
Thom 'Coach' Ehle
Dressing Prop:
Marlon Cole
Driver:
Brian Atkinson
Editor:
Ray Lovejoy
Effects Supervisor:
Simon Leech
Electrician:
Jerry Connelly
Executive Producer:
Michael De Luca
Robert Rehme
Mace Neufeld
Richard Saperstein
First Assistant Director:
Chris Carreras
First Assistant Editor:
Stefna Borges
First Assistant Sound Editor:
Paul Apted
Floor Runner:
Toby Earle
Focus Puller:
Alex Howe
Foley Artist:
Paula Boram
Pauline Griffiths
Foley Editor:
Peter Holt
Foley Mixer:
Ed Colyer
Gaffer:
Mike McGillivray
Generator Operator:
Brian Mcgivern
Graphic Designer:
Darren Howat
Grip:
Gary Hutchings
Hairstylist:
Jane Body
I/O Supervisor:
Tim Caplan
Key Carpenter:
Graham Weames
Key Grip:
Colin Manning
Lighting Camera:
Peter Talbot
Line Producer:
Sharon Lark
Makeup Artist:
Yvonne Coppard
Music Coordinator:
Bob Bowen
Music Editor:
Brent Brooks
Patricia Carlin
Musician:
Steve Mair
Orchestrator:
Bruce Babcock
Original Music Composer:
Bruce Broughton
Painter:
Peter Bowen
Post Production Assistant:
Rodney Bowers
Post Production Coordinator:
Tracey Gibbons
Post Production Supervisor:
Bruce Everett
Producer:
Carla Fry
Mark W. Koch
Akiva Goldsman
Stephen Hopkins
Production Assistant:
Michelle Corney
Production Controller:
Elena Azuola
Production Coordinator:
Martin Gabriel
Production Design:
Norman Garwood
Production Illustrator:
Julian Caldow
Production Manager:
Tim Field
Production Runner:
Richard Grills
Property Buyer:
Stefan Adams
Property Master:
David Balfour
Prosthetic Makeup Artist:
Julie Wright
Prosthetic Supervisor:
David White
Public Relations:
Dennis Davidson
Researcher:
Gina De Ferrer
Rigging Gaffer:
Simon Lucas
Rotoscoping Artist:
Mark Goldberg
Screenplay:
Akiva Goldsman
Irwin Allen
Script Supervisor:
Nikki Clapp
Sculptor:
Kim Amis
Second Assistant Camera:
Steve Brooke Smith
Second Assistant Director:
Cliff Lanning
Second Unit Director:
John Stephenson
Set Decoration:
Anna Pinnock
Sound Editor:
Ronald Eng
Sound Effects Editor:
Scott G.G. Haller
Sound Re-Recording Mixer:
Ron Bartlett
Special Effects Coordinator:
Carmila Gittens
Special Effects Makeup Artist:
Chris Lyons
Special Effects Supervisor:
Nick Allder
Special Effects Technician:
Stephen Bettles
Stand In:
Anne-Marie Challen
Standby Painter:
Alan Greenham
Steadicam Operator:
Pete Cavaciuti
Still Photographer:
Jack English
Storyboard Artist:
Robb Bihun
Studio Teachers:
David Combs
Stunt Coordinator:
Greg Powell
Graeme Crowther
Stunt Double:
Dean Forster
Stunts:
David Holmes
Sarah Franzl
George Cottle
Supervising ADR Editor:
Renée Tondelli
Supervising Art Director:
Keith Pain
Supervising Carpenter:
Ian Green
Supervising Sound Editor:
Eddy Joseph
Systems Administrators & Support:
Keith Barton
Tailor:
Lee Clayton
Technical Supervisor:
Paul Grace
Third Assistant Director:
Robert Grayson
Simon Downes
Title Designer:
Pauline Hume
Underwater Camera:
Steve Shapland
Unit Manager:
Scott Sidey
Unit Production Manager:
Nik Korda
Unit Publicist:
Patric Scott
Utility Stunts:
Lee Millham
Video Assist Operator:
Ben Koeller
Visual Effects Coordinator:
Cheryl Bickerton
Visual Effects Designer:
Tom Debenham
Visual Effects Editor:
Kevin Ahern
Visual Effects Producer:
Andy Fowler
Visual Effects Production Manager:
Gabriel Wells
Visual Effects Supervisor:
Angus Bickerton
Wardrobe Assistant:
Nick Heather
Wardrobe Master:
William McPhail
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.