A work in constant progress (and occasional regress).
Recording Supervision:
2003 The Living Forest
Sound:
1977 Crecer de golpe
1981 Sentimental (réquiem para un amigo)
1983 Carmen
1983 Dressed in Blue
1984 The Holy Innocents
1987 Al acecho
1987 The Enchanted Forest
1989 The Dark Night of the Soul
1994 All Men Are the Same
1999 Alone
2001 Nada+
2003 The Living Forest
2019 Antonio López: apuntes del natural
Sound Designer:
1977 Crecer de golpe
1981 Sentimental (réquiem para un amigo)
1983 Carmen
1983 Dressed in Blue
1984 The Holy Innocents
1987 Al acecho
1987 The Enchanted Forest
1989 The Dark Night of the Soul
1994 All Men Are the Same
1999 Alone
2001 Nada+
2003 The Living Forest
2019 Antonio López: apuntes del natural
2023 O home e o can
Sound Editor:
1977 Crecer de golpe
1981 Sentimental (réquiem para un amigo)
1983 Carmen
1983 Dressed in Blue
1984 The Holy Innocents
1987 Al acecho
1987 The Enchanted Forest
1989 The Dark Night of the Soul
1994 All Men Are the Same
1999 Alone
1999 The Damned Rib
2000 Clams and Mussels
2001 Nada+
2002 Salomé
2003 The Living Forest
2019 Antonio López: apuntes del natural
2023 O home e o can
Sound Recordist:
1977 Crecer de golpe
1981 Sentimental (réquiem para un amigo)
1983 Carmen
1983 Dressed in Blue
1984 The Holy Innocents
1987 Al acecho
1987 The Enchanted Forest
1989 Dawn Breaks, Which Is No Small Thing
1989 The Dark Night of the Soul
1994 All Men Are the Same
1999 Alone
1999 The Damned Rib
2000 Clams and Mussels
2001 Nada+
2002 Salomé
2003 The Living Forest
2019 Antonio López: apuntes del natural
2023 O home e o can
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.