A work in constant progress (and occasional regress).
Release Date:
October 27, 2000
Original Title:
Almejas y mejillones
Alternate Titles:
Mariscos e Mexilhões
Genres:
Comedy | Romance
Production Companies:
Alma Ata International Pictures S.L.
Atresmedia
Buena Vista International
INCAA
MC Millecento
Naya Films SA
Patagonik
Vía Digital
Production Countries:
Argentina | Spain
Ratings / Certifications:
ES: 12
Runtime: 86
A divorced man tries to win over a lesbian, his new roommate, by becoming a transvestite.
Art Direction:
Miguel Chicharro
Graciela Fraguglia
Assistant Art Director:
Francisco Barcia
Assistant Camera:
Daniel Fernández Antolín
Assistant Director:
Jorge Gundín
Boom Operator:
Pedro Marra
Co-Producer:
José María Calleja
Javier Vasallo
Costume Design:
Cristina Caspueñas
Virginia Schlesinger
Javier Ignacio Peláez
Delegated Producer:
Rafael Valentín Pastrana
Director:
Marcos Carnevale
Director of Photography:
Alfredo Mayo
Dolby Consultant:
Ricardo Viñas
Editor:
Jorge Valencia
Electrician:
Enrique González
Óscar Molina
Antonio Gómez
Horacio Reyes
Daniel Ianatempo
Jose Mansilla
First Assistant Director:
Violeta Dal Bo Fava
Mariano Gundín
Karina Minujin
Focus Puller:
Miguel Ángel Muñoz
Gaffer:
Antonio de Benito
Sergio Centeno
Grip:
José Luis Alonso
Ismael Montenegro
Hairstylist:
María Domec
Idea:
Lito Espinosa
Makeup Artist:
Merche Guillot
Negative Cutter:
Felisa Catalinas
Carmen Mesa
Original Music Composer:
Luis Elices
Francisco Musulén
Producer:
Pablo E. Bossi
Ricardo Vacas
Production Assistant:
Roberto Herráiz
María Vacas
Production Coordinator:
Floppi Lunt
Production Director:
Enrique Bellot
Production Manager:
José Garijo
Albana Bolster
Production Trainee:
Marcela Martínez
Agustina Badano
Carolina Boettner
Props:
Carlos Orione
Script:
Solange Keloyean
Set Decoration:
Enrique Teigell
Sound Director:
Jorge Stavropulos
Sound Editor:
Carlos Faruolo
Sound Post Supervisor:
Jorge Stavropulos
Still Photographer:
Mónica Porres
Alfredo Suárez
Video Assist Operator:
Ángela Nahum
Valeria Weil
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.