A work in constant progress (and occasional regress).
Compositing Supervisor:
2004 Troy
2005 Charlie and the Chocolate Factory
Digital Compositor:
2001 Lara Croft: Tomb Raider
2004 Troy
2005 Charlie and the Chocolate Factory
2005 Wallace & Gromit: The Curse of the Were-Rabbit
Digital Supervisor:
2001 Lara Croft: Tomb Raider
2004 Troy
2005 Charlie and the Chocolate Factory
2005 Wallace & Gromit: The Curse of the Were-Rabbit
2006 The Da Vinci Code
Visual Effects Supervisor:
2001 Lara Croft: Tomb Raider
2004 Troy
2005 Charlie and the Chocolate Factory
2005 Wallace & Gromit: The Curse of the Were-Rabbit
2006 Casino Royale
2006 The Da Vinci Code
2008 Quantum of Solace
2010 Burke & Hare
2011 Fast Five
2011 Sherlock Holmes: A Game of Shadows
2012 Cloud Atlas
2012 Snow White and the Huntsman
2013 Belle
2014 The Imitation Game
2014 The Woman in Black 2: Angel of Death
2015 Jupiter Ascending
2015 Macbeth
2015 Slow West
2015 The Man from U.N.C.L.E.
2015 Woman in Gold
2016 Morgan
2016 Now You See Me 2
2016 The 9th Life of Louis Drax
2018 7 Days in Entebbe
2019 Serenity
2022 The Northman
2024 Nosferatu
Visual Effects Supervisor:
2011 Great Expectations
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.