Home

Harry Potter and the Philosopher's Stone (2001) [PG]

Release Date:
November 16, 2001

Original Title:
Harry Potter and the Philosopher's Stone

Alternate Titles:
Garri Potter i filosofskiy kamen'
Hari Poter i Kamen mudrosti
Hari Poter i Kamenot na mudrosta
Harri Potter i filosofsʹkyy kaminʹ
Harry Potter (1) à l'école des sorciers
Harry Potter and the Sorcerer's Stone
Harry Potter dhe Guri Filozofal
Harry Potter e a Pedra Filosofal
Harry Potter e la pietra filosofale
Harry Potter en de Steen der Wijzen
Harry Potter ja tarkade kivi
Harry Potter und der Stein der Weisen
Harry Potter y la Piedra Filosofal
Harry Potter à l'école des sorciers
O Chári Póter kai i Filosofikí Líthos
Хари Потър и философският камък
הרי פותר ואבן החכמים
هاري بوتر وحجر الفيلسوف
ہیری پوٹر اور فلسفی کا پتھر
แฮร์รี่ พอตเตอร์กับศิลาอาถรรพ์
ハリーポッターと賢者の石
哈利·波特与魔法石
해리포터와 마법사의 돌

Genres:
Adventure | Fantasy

Production Companies:
1492 Pictures
Heyday Films
Warner Bros. Pictures

Production Countries:
United Kingdom | United States of America

Ratings / Certifications:
AU: PG  BE: 6  BR: L  CH: 12  CZ: U  DE: 6|12  DK: 11  ES: A  FI: K-12  FR: TP  GB: PG  GR: K  HU: 16  IE: PG  IT: T  JP: G  KR: All  MX: A  NL: 6  NO: 9  NZ: PG  PL: 12  PT: M/6  RO: AP  RU: 12+  SE: 11  TH: PG  TR: Genel İzleyici Kitlesi  UA: 0+  US: PG 

Runtime: 152

Let the magic begin.

Overview from TheMovieDB

Harry Potter has lived under the stairs at his aunt and uncle's house his whole life. But on his 11th birthday, he learns he's a powerful wizard—with a place waiting for him at the Hogwarts School of Witchcraft and Wizardry. As he learns to harness his newfound powers with the help of the school's kindly headmaster, Harry uncovers the truth about his parents' deaths—and about the villain who's to blame.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Teaser

Clip

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

3D Supervisor:
Alia Agha

ADR Editor:
Nick Lowe

ADR Mixer:
Gerard Roche

ADR Recordist:
Gareth Bull

ADR Voice Casting:
Louis Elman
Kyle Clark

Additional Second Assistant Director:
R.J. Mino

Additional Sound Re-Recording Mixer:
Ryan Davis

Additional Third Assistant Director:
Ian Dray

Additional Visual Effects:
Matthew Glen

Aerial Camera:
Simon Werry

Animal Coordinator:
Gary Gero

Animation Coordinator:
Peter Nicolai

Animation Supervisor:
David Andrews

Art Department Coordinator:
Lisa Turner

Art Direction:
Andrew Ackland-Snow
Cliff Robinson
Michael Lamont
Steven Lawrence
Simon Lamont
Peter Francis
Lucinda Thomson

Assistant Accountant:
Trevor Chalmers

Assistant Art Director:
Dominic Masters

Assistant Camera:
Janos Jersch

Assistant Costume Designer:
Rosemary Burrows

Assistant Editor:
Claus Wehlisch

Assistant Location Manager:
Simon Burgess

Assistant Production Coordinator:
Alison Odell

Assistant Production Manager:
David Carrigan

Assistant Property Master:
Jamie Wilkinson

Assistant Sound Editor:
Simon Chase

Assistant Sound Engineer:
Jake Jackson

Associate Producer:
Todd Arnow
Paula DuPré Pesmen

Best Boy Grip:
David Appleby

Boom Operator:
June Prinz

CG Animator:
Ben Shepherd
Hunter Athey

CG Artist:
Will Broadbent

CG Supervisor:
Mark Lambert

Camera Operator:
Pete Cavaciuti
Simon Finney

Camera Trainee:
Alan Harrison

Casting:
Karen Lindsay-Stewart
Susie Figgis
Jane Jenkins
Janet Hirshenson

Casting Assistant:
Buffy Hall

Chef:
Des Petterson-Jones

Co-Producer:
Tanya Seghatchian

Color Timer:
Peter Hunt

Compositing Artist:
Julia Egerton

Compositing Supervisor:
Marshall Richard Krasser

Concept Artist:
Rob Bliss

Construction Buyer:
Patrick Casey

Construction Coordinator:
Malcolm Roberts

Contact Lens Technician:
Jemma Scott-Knox-Gore

Continuity:
Charlotte Mason-Apps

Costume Assistant:
Laura Johnson

Costume Coordinator:
Martin Mandeville

Costume Design:
Judianna Makovsky

Costume Supervisor:
Graham Churchyard

Dialogue Coach:
Sandra Frieze

Dialogue Editor:
Colin Ritchie

Digital Color Timer:
Paul McGhee

Digital Compositors:
Anita Bevelheimer

Digital Effects Producer:
James Lamb

Digital Film Recording:
Jim Davey

Director:
Chris Columbus

Director of Photography:
John Seale

Dolby Consultant:
Julian Pinn

Dolly Grip:
Gary Romaine

Dressing Prop:
Paul Burges

Driver:
Warren Deluce

Editor:
Richard Francis-Bruce

Electrician:
Michael Bradley

Executive Producer:
Duncan Henderson
Michael Barnathan
Mark Radcliffe
Chris Columbus

First Assistant Camera:
Ted Deason

First Assistant Director:
Chris Carreras

First Assistant Editor:
Jennifer Spenelli

Floor Runner:
Chuck Douglas

Foley Artist:
Felicity Cottrell

Foley Editor:
Peter Holt

Foley Mixer:
Ed Colver

Gaffer:
Kevin Edland

Grip:
Peter Muncey

Hair Designer:
Eithné Fennel

Hairdresser:
Darlene Forrester

Hairstylist:
Jane Body

Head Carpenter:
Graham Weames

Head of Production:
Michael Elson

I/O Supervisor:
Tim Caplan

Key Grip:
Nick Ray

Lead Animator:
Ivor Middleton

Libra Head Technician:
Joe Buxton

Lighting Supervisor:
Pauline Ts'o

Location Assistant:
Chris Bogle

Location Coordinator:
Sue Binfield

Location Manager:
Keith Hatcher

Makeup Artist:
Clare Le Vesconte
Jane Royle

Makeup Designer:
Amanda Knight

Makeup Effects:
John Lambert

Matte Painter:
Andrew Garnet-Lawson

Music Editor:
Peter Myles

Musician:
Peter Davies

Novel:
J.K. Rowling

Orchestrator:
Edward Karam

Original Music Composer:
John Williams

Painter:
Larry Gooch

Petty Cash Buyer:
Lizzi Wilson

Pilot:
Marc Wolff

Post Production Coordinator:
Jessie Thiele

Post Production Supervisor:
Mark Marshall

Producer:
David Heyman

Production Accountant:
Gary Nixon

Production Assistant:
Mark Axtell

Production Consultant:
Nisha Parti

Production Coordinator:
Hazel Cook

Production Design:
Stuart Craig

Production Executive:
Joel Román Mendías

Production Illustrator:
Cyrille Nomberg

Production Manager:
Julie Orosz

Production Secretary:
Katie Reynolds

Production Supervisor:
Russell Lodge

Projection:
Toby Lloyd

Property Master:
Barry Wilkinson

Prosthetic Makeup Artist:
Mark Coulier

Rigging Gaffer:
Dave Ridout

Rotoscoping Artist:
Martin Cook

Scenic Artist:
David Nicoll

Scoring Mixer:
Simon Rhodes

Screenplay:
Steve Kloves

Script Supervisor:
Annie Penn

Sculptor:
Bryn Court

Second Assistant Camera:
Tobias Eedy
Robert Palmer

Second Assistant Director:
Michael Stevenson

Second Unit Director:
David R. Ellis

Security:
John Cheeseman

Senior Modeller:
John Weller

Sequence Leads:
Bob Mercier

Sequence Supervisor:
Hilmar Koch

Set Decoration:
Stephenie McMillan

Set Designer:
Michael Boone

Set Production Assistant:
Mira Husseini

Sound Effects Editor:
Martin Cantwell

Sound Mixer:
John Midgley

Sound Re-Recording Mixer:
Graham Daniel
Ray Merrin
Adam Daniel

Special Effects:
Nigel Brackley

Special Effects Assistant:
Kevin Wescott

Special Effects Coordinator:
Yves De Bono

Special Effects Supervisor:
John Richardson

Special Effects Technician:
Michael Durkan

Standby Painter:
Paul Couch

Steadicam Operator:
Alf Tramontin

Still Photographer:
Peter Mountain

Storyboard Artist:
Adam Brockbank

Stunt Coordinator:
Greg Powell

Stunt Double:
David Holmes

Stunts:
Henry Allen
Tolga Kenan
Leila Stewart
Abbi Collins
Felicity Walker
Gary Powell

Supervising Carpenter:
Mark Brady

Supervising Music Editor:
Kenneth Wannberg

Supervising Sound Editor:
Eddy Joseph

Systems Administrators & Support:
Kevin Tengan

Tailor:
Lee Clayton

Temp Music Editor:
Steve Browell

Third Assistant Director:
Michael Michael

Transportation Co-Captain:
Brian Estabrook

Transportation Coordinator:
Brian Hathaway

Unit Production Manager:
Todd Arnow

Unit Publicist:
Vanessa Davies

Utility Stunts:
Gary Arthurs

VFX Artist:
Ulf Lundgren

Video Assist Operator:
Bob Bridges

Visual Effects:
Christopher Romano

Visual Effects Camera:
Andy Stevens

Visual Effects Coordinator:
Richard Cole

Visual Effects Editor:
Nicholas Atkinson

Visual Effects Producer:
Cari Thomas
Karen M. Murphy
Joyce Cox

Visual Effects Production Assistant:
Allison Coit

Visual Effects Production Manager:
Lauren A. Littleton

Visual Effects Supervisor:
Jim Berney
Robert Legato

Wardrobe Assistant:
Anabel Campbell

Wigmaker:
Alex Rouse

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.