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The Imitation Game (2014) [PG-13]

Release Date:
November 14, 2014

Original Title:
The Imitation Game

Alternate Titles:
Código Enigma
Descifrando Enigma
The Imitation Game
Імітаційна гра
模拟游戏
解碼遊戲
解碼遊戲(2015)

Genres:
Drama | History | Thriller | War

Production Companies:
Black Bear Pictures
Bristol Automotive
FilmNation Entertainment

Production Countries:
United States of America

Ratings / Certifications:
AU: M  BG: C  BR: 12  CA: 18A|PG  CH: 8  DE: 12  DK: 11  ES: 7  FI: K-12  FR: U  GB: 12A  GR: K12  HU: 16|12  IE: 12|12A  IT: T  JP: G  KR: 15  MX: B-15  NL: 12  NO: 9  NZ: M  PL: 16  PT: M/12  RU: 18+  SE: 11  TW: 保護級  UA: PG-13  US: PG-13 

Runtime: 113

The true enigma was the man who cracked the code.

Overview from TheMovieDB

Based on the real life story of legendary cryptanalyst Alan Turing, the film portrays the nail-biting race against time by Turing and his brilliant team of code-breakers at Britain's top-secret Government Code and Cypher School at Bletchley Park, during the darkest days of World War II.

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Performers

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Production

"A" Camera Operator:
Albert Carreras

"B" Camera Operator:
Marc Gómez del Moral

Art Direction:
Rebecca Milton
Marco Anton Restivo

Assistant Art Director:
Lauren Briggs-Miller

Book:
Andrew Hodges

Casting:
Nina Gold

Co-Producer:
Peter Heslop

Construction Coordinator:
Nicky Ackland-Snow

Costume Design:
Sammy Sheldon

Dialect Coach:
Sarah Shepherd

Dialogue Editor:
Dan Green

Digital Intermediate:
Jonathan Collard

Director:
Morten Tyldum

Director of Photography:
Óscar Faura

Editor:
William Goldenberg

Executive Producer:
Graham Moore

First Assistant "A" Camera:
Tim Battersby

First Assistant "B" Camera:
Rory Moles

First Assistant Director:
Phil Booth

Foley:
Peter Burgis

Graphic Designer:
Charis Theobald

Key Grip:
Gary Hutchings

Location Manager:
Richard George

Makeup Artist:
Denise Kum
Roo Maurice
Amy Riley

Music Editor:
Kirsty Whalley

Original Music Composer:
Alexandre Desplat

Producer:
Nora Grossman
Ido Ostrowsky
Teddy Schwarzman

Production Design:
Maria Djurkovic

Production Manager:
Suzie Shearer

Property Master:
Nick Thomas

Screenplay:
Graham Moore

Script Supervisor:
Beverly Winston

Second Assistant "A" Camera:
Simon Surtees

Second Assistant "B" Camera:
Alexandra Voikou

Second Assistant Director:
James Manning

Second Unit Director:
Crispin Reece

Second Unit Director of Photography:
Steven Hall

Set Decoration:
Tatiana Macdonald

Sound Designer:
Andy Kennedy

Sound Effects Editor:
Joe Beal

Sound Re-Recording Mixer:
Martin Jensen
Stuart Hilliker

Sound Recordist:
John Midgley

Steadicam Operator:
Peter Wignall

Still Photographer:
Jack English

Stunts:
Levan Doran

Supervising Art Director:
Nick Dent

Supervising Sound Editor:
Lee Walpole

Thanks:
Robert Messinger

VFX Artist:
Katie Anna Brady

Visual Effects Producer:
Lucy Ainsworth-Taylor

Visual Effects Supervisor:
Eran Barnea
Angela Barson

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.