A work in constant progress (and occasional regress).
Alias:
마티 디오프
Birthplace:
Paris, France
Born:
June 22, 1982
Mati Diop (born June 22, 1982) is a French-Senegalese actress and film director. She directed the 2019 film Atlantics, for which she became the first black female director to be in contention for the Cannes Film Festival's highest prize, the Palme d'Or. At Cannes, Atlantics won the Grand Prix.
Casting:
2024 Dahomey
Cinematography:
2012 Big in Vietnam
2024 Dahomey
Director:
2006 Île artificielle—Expédition
2009 Atlantiques
2011 Snow Canon
2012 Big in Vietnam
2013 A Thousand Suns
2015 Liberian Boy
2015 Limbo Visions 1
2017 Félicité Remix #1: Billard Luxury Palace
2017 Olympus
2019 30th anniversaire of FIDMarseille
2019 Atlantics
2020 In My Room
2022 Naked Blue
2023 Tokyo Trip
2024 Dahomey
Director of Photography:
2006 Île artificielle—Expédition
2009 Atlantiques
2011 Snow Canon
2012 Big in Vietnam
2013 A Thousand Suns
2015 Liberian Boy
2015 Limbo Visions 1
2017 Félicité Remix #1: Billard Luxury Palace
2017 Olympus
2019 30th anniversaire of FIDMarseille
2019 Atlantics
2020 In My Room
2022 Naked Blue
2023 Tokyo Trip
2024 Dahomey
Producer:
2006 Île artificielle—Expédition
2009 Atlantiques
2011 Snow Canon
2012 Big in Vietnam
2013 A Thousand Suns
2015 Liberian Boy
2015 Limbo Visions 1
2017 Félicité Remix #1: Billard Luxury Palace
2017 Olympus
2019 30th anniversaire of FIDMarseille
2019 Atlantics
2020 In My Room
2022 Naked Blue
2023 Tokyo Trip
2024 Dahomey
Screenplay:
2006 Île artificielle—Expédition
2009 Atlantiques
2011 Snow Canon
2012 Big in Vietnam
2013 A Thousand Suns
2015 Liberian Boy
2015 Limbo Visions 1
2017 Félicité Remix #1: Billard Luxury Palace
2017 Olympus
2019 30th anniversaire of FIDMarseille
2019 Atlantics
2020 In My Room
2022 Naked Blue
2023 Tokyo Trip
2024 Dahomey
Sound:
2006 Île artificielle—Expédition
2009 Atlantiques
2011 Snow Canon
2012 Big in Vietnam
2013 A Thousand Suns
2015 Liberian Boy
2015 Limbo Visions 1
2017 Félicité Remix #1: Billard Luxury Palace
2017 Olympus
2019 30th anniversaire of FIDMarseille
2019 Atlantics
2020 In My Room
2022 Naked Blue
2023 Tokyo Trip
2024 Dahomey
Story:
2006 Île artificielle—Expédition
2009 Atlantiques
2011 Snow Canon
2012 Big in Vietnam
2012 Simon Killer
2013 A Thousand Suns
2015 Liberian Boy
2015 Limbo Visions 1
2017 Félicité Remix #1: Billard Luxury Palace
2017 Olympus
2019 30th anniversaire of FIDMarseille
2019 Atlantics
2020 In My Room
2022 Naked Blue
2023 Tokyo Trip
2024 Dahomey
Writer:
2006 Île artificielle—Expédition
2009 Atlantiques
2011 Snow Canon
2012 Big in Vietnam
2012 Simon Killer
2013 A Thousand Suns
2015 Liberian Boy
2015 Limbo Visions 1
2017 Félicité Remix #1: Billard Luxury Palace
2017 Olympus
2019 30th anniversaire of FIDMarseille
2019 Atlantics
2020 In My Room
2022 Naked Blue
2023 Tokyo Trip
2024 Dahomey
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.