Dahomey (2024) [N/A]

Release Date:
September 11, 2024

Original Title:
Dahomey

Alternate Titles:
Дагомея
達荷美:祖靈回家

Genres:
Documentary

Production Companies:
ARTE France Cinéma
Fanta Sy
Les Films du Bal

Production Countries:
France | Senegal

Ratings / Certifications:
AU: G  GB: PG  IE: G  KR: 12  LT: N-13 

Runtime: 68

Thousands of royal artifacts of Dahomey, a West African kingdom, were taken by French colonists in the 19th century for collection and display in Paris. Centuries later, a fraction returned to their home in modern-day Benin. This dramatized documentary follows the journey of 26 of the treasures as told by cultural art historians, embattled university students, and one of the repatriated statues himself.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Assistant Camera:
Geff Attintegla

Assistant Dialogue Editor:
Lucas Héberlé

Assistant Director:
Gildas Adannou

Assistant Sound Editor:
Inoa Kan

Associate Producer:
Ama Ampadu

Casting:
Mati Diop

Co-Producer:
Olivier Père

Colorist:
Gilles Granier

Dialogue Editor:
Maxime Saleix

Director:
Mati Diop

Director of Photography:
Joséphine Drouin-Viallard

Editor:
Gabriel Gonzalez

Executive Producer:
Christiane Chabi Kao

Foley Artist:
Gilles Marsalet

Foley Recordist:
Julien Martin

Gaffer:
Raffet Houessou

Music Supervisor:
Guillaume Clément

Original Music Composer:
Dean Blunt
Wally Badarou

Producer:
Eve Robin
Mati Diop
Judith Lou Lévy

Production Manager:
Marco Tulio Pires

Second Unit Director:
Christophe Nanga-Oly

Sound Designer:
Nicolas Becker

Sound Editor:
Sylvain Malbrant

Sound Engineer:
Corneille Houssou

Sound Re-Recording Mixer:
Cyril Holtz

Sound Recordist:
Mael Desreumaux

Writer:
Mati Diop

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.