A work in constant progress (and occasional regress).
Release Date:
November 27, 2024
Original Title:
Les reines du drame
Genres:
Comedy | Drama | Fantasy | Music
Production Companies:
ARTE France Cinéma
Faliro House Productions
Les Films du Poisson
Wrong Men
Production Countries:
Belgium | France
Ratings / Certifications:
N/A
Runtime: 114
It's 2055 and Steevyshady, an obsessive Mimi Madamour stan, tells us of their idol’s mad destiny from the very peak of her career in 2005, all the way down to the pits of hell, a downfall brought about by her love story with punk icon Billie Kohler. Over the course of half a century we follow these drama queens as they top the charts and set sail on the course of mad queer love.
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ADR Recordist:
Guilhem Domercq
Assistant Makeup Artist:
Barbara Broucke
Associate Producer:
Philippe Logie
Boom Operator:
Barbara Juniot
Carpenter:
Laureen-Joyce Centner
Léo Pacquelet
Romain Faroux
Mathieu Jourdan
Dialogue Editor:
Quentin Collette
Digital Compositor:
Bryan Gossuin
Director:
Alexis Langlois
Executive Producer:
Karim Cham
First Assistant Director:
Anaïs Couette
Foley Artist:
Vincent Gregorio
Gaffer:
Manon Corone
Makeup Department Head:
Juan-Carlos Salazar
Makeup Designer:
Juan-Carlos Salazar
Makeup Effects:
Barbara Broucke
Music:
Pierre Desprats
Producer:
Benoît Roland
Inès Daïen Dasi
Production Design:
Barbabé d'Hauteville
Anna Le Mouël
Production Manager:
Ben H. Pigeard-Benazera
Screenplay:
Alexis Langlois
Charlotte Janon
Thomas Colineau
Script Supervisor:
Morgane Aubert-Bourdon
Second Assistant Director:
Angel Adhera
Sound Assistant:
Mariette Iung
Sound Editor:
François Aubinet
Sound Mixer:
Marie Paulus
Stunt Double:
Barbara Hellemans
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.