A work in constant progress (and occasional regress).
Director:
1968 Retour d'Henri Langlois à Paris
1969 Jean Renoir : Partie de campagne
1974 Actualités – sept ou huit scènes de mai 68
1974 Printemps 58
2001 Les voyages de L'Atalante
2003 Chaplin Today: 'Monsieur Verdoux'
2017 Winter Shooting: L'Atalante - Rushes and Outtakes
Screenplay:
1968 Retour d'Henri Langlois à Paris
1969 Jean Renoir : Partie de campagne
1974 Actualités – sept ou huit scènes de mai 68
1974 Printemps 58
1987 Wings of Desire
2001 Les voyages de L'Atalante
2003 Chaplin Today: 'Monsieur Verdoux'
2017 Winter Shooting: L'Atalante - Rushes and Outtakes
Script Consultant:
1968 Retour d'Henri Langlois à Paris
1969 Jean Renoir : Partie de campagne
1974 Actualités – sept ou huit scènes de mai 68
1974 Printemps 58
1985 What Do Those Old Films Mean?
1987 Wings of Desire
2001 Les voyages de L'Atalante
2003 Chaplin Today: 'Monsieur Verdoux'
2017 Winter Shooting: L'Atalante - Rushes and Outtakes
Thanks:
1968 Retour d'Henri Langlois à Paris
1969 Jean Renoir : Partie de campagne
1970 Un troisième
1974 Actualités – sept ou huit scènes de mai 68
1974 Printemps 58
1985 What Do Those Old Films Mean?
1987 Wings of Desire
2001 Les voyages de L'Atalante
2003 Chaplin Today: 'Monsieur Verdoux'
2016 Debra Paget, For Example
2017 Winter Shooting: L'Atalante - Rushes and Outtakes
Writer:
1968 Retour d'Henri Langlois à Paris
1969 Jean Renoir : Partie de campagne
1970 Un troisième
1974 Actualités – sept ou huit scènes de mai 68
1974 Printemps 58
1985 What Do Those Old Films Mean?
1987 Wings of Desire
2001 Les voyages de L'Atalante
2003 Chaplin Today: 'Monsieur Verdoux'
2016 Debra Paget, For Example
2017 Winter Shooting: L'Atalante - Rushes and Outtakes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.