A work in constant progress (and occasional regress).
Release Date:
May 1, 1973
Original Title:
La Maman et la Putain
Alternate Titles:
A Mãe e a Puta
A mama és a kurva
Die Mama und die Hure
La madre y la ramera
La mamá y la puta
Mama i dziwka
Mammaen og horen
Mamman och horan
Moderen og luderen
Äiti ja huora
Η Μαμά και η Πουτάνα
Мамочка и шлюха
ママと娼婦
엄마와 창녀
Genres:
Comedy | Drama | Romance
Production Companies:
Ciné Qua Non
Elite Film
Les Films du Losange
Simar Films
V.M. Productions
Production Countries:
France
Ratings / Certifications:
FR: 18|TP
Runtime: 219
Aimless young Alexandre juggles his relationships with his girlfriend, Marie, and a casual lover named Veronika. Marie becomes increasingly jealous of Alexandre's fling with Veronika and as the trio continues their unsustainable affair, the emotional stakes get higher, leading to conflict and unhappiness.
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2012 #59 |
Critics' Top 100 Poll
Greatest Films of All Time |
2012 #91 |
Directors' Top 100 Poll
Greatest Films of All Time |
Assistant Camera:
Jacques Renard
Michel Cénet
Assistant Director:
Rémy Duchemin
Luc Béraud
Assistant Editor:
Monique Prim
Camera Operator:
Pierre Lhomme
Cinematography:
Pierre Lhomme
Co-Executive Producer:
Alain Coiffier
Co-Producer:
Marcel Berbert
Christian Fechner
Claude Berri
Jean-Pierre Rassam
Vincent Malle
Barbet Schroeder
Costume Design:
Catherine Garnier
Costume Designer:
Catherine
Director:
Jean Eustache
Director of Photography:
Pierre Lhomme
Editor:
Denise de Casabianca
Jean Eustache
Executive Producer:
Pierre Cottrell
Producer:
Bob Rafelson
Production Manager:
Claude Bertrand
Claude Bertrand
Sound Recordist:
Paul Lainé
Jean-Pierre Ruh
Sound mixer:
Nara Kollery
Writer:
Jean Eustache
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.