A work in constant progress (and occasional regress).
Release Date:
December 3, 2017
Original Title:
Tournage d'hiver: L'Atalante de Jean Vigo chutes et rushes
Alternate Titles:
Tournage d’hiver: L’Atalante de Jean Vigo chutes et rushes
Winter Shooting: L’Atalante - Rushes and Outtakes
Genres:
Documentary
Production Companies:
Gaumont
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 70
Perhaps it speaks to the sheer power and beauty of L’Atalante that 40 years after its initial butchered release, critics and fans still seek to piece together Vigo’s vision – and debate the choices involved in that process. Bernard Eisenschitz, who was involved with Luce Vigo (daughter of Jean Vigo) in the 1990 reconstruction of this masterwork, takes us into the raw materials by which this complex film was re-envisioned and continues to be analyzed and changed today. An important vision of film as a tradition of viewership, curation and exploration.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.