A work in constant progress (and occasional regress).
Assistant Camera:
1970 Sunflower
1973 Amarcord
1974 The Beast
Camera Operator:
1970 Sunflower
1973 Amarcord
1974 The Beast
1975 The Divine Nymph
1979 Figlio delle stelle
1979 Hot Potato
1979 Together?
1980 Arrivano i gatti
1980 Voltati Eugenio
1981 Tragedy of a Ridiculous Man
1983 Return to Lisca Bianca Island
1983 The Black Stallion Returns
1986 Let's Hope It's a Girl
1991 Paprika
2017 Archeologia del set: Ritorno a Lisca Bianca
Cinematography:
1970 Sunflower
1973 Amarcord
1974 The Beast
1975 The Divine Nymph
1979 Figlio delle stelle
1979 Hot Potato
1979 Together?
1980 Arrivano i gatti
1980 Voltati Eugenio
1981 Tragedy of a Ridiculous Man
1983 Return to Lisca Bianca Island
1983 The Black Stallion Returns
1986 Let's Hope It's a Girl
1991 Paprika
1994 The Voyeur
1998 Frivolous Lola
2000 Cheeky
2002 Black Angel
2017 Archeologia del set: Ritorno a Lisca Bianca
Director of Photography:
1970 Sunflower
1973 Amarcord
1974 The Beast
1975 The Divine Nymph
1979 Figlio delle stelle
1979 Hot Potato
1979 Together?
1980 Arrivano i gatti
1980 Voltati Eugenio
1981 Tragedy of a Ridiculous Man
1983 Return to Lisca Bianca Island
1983 The Black Stallion Returns
1986 Let's Hope It's a Girl
1991 Paprika
1992 All Ladies Do It
1994 The Voyeur
1998 Frivolous Lola
2000 Cheeky
2002 Black Angel
2017 Archeologia del set: Ritorno a Lisca Bianca
Photo Retouching:
1970 Sunflower
1973 Amarcord
1974 The Beast
1975 The Divine Nymph
1979 Figlio delle stelle
1979 Hot Potato
1979 Together?
1980 Arrivano i gatti
1980 Voltati Eugenio
1981 Tragedy of a Ridiculous Man
1983 Return to Lisca Bianca Island
1983 The Black Stallion Returns
1986 Let's Hope It's a Girl
1991 Paprika
1992 All Ladies Do It
1994 The Voyeur
1998 Frivolous Lola
2000 Cheeky
2002 Black Angel
2017 Archeologia del set: Ritorno a Lisca Bianca
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.