Massimo Di Venanzo

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Assistant Camera:
1970  Sunflower
1973  Amarcord
1974  The Beast

Camera Operator:
1970  Sunflower
1973  Amarcord
1974  The Beast
1975  The Divine Nymph
1979  Figlio delle stelle
1979  Hot Potato
1979  Together?
1980  Arrivano i gatti
1980  Voltati Eugenio
1981  Tragedy of a Ridiculous Man
1983  Return to Lisca Bianca Island
1983  The Black Stallion Returns
1986  Let's Hope It's a Girl
1991  Paprika
2017  Archeologia del set: Ritorno a Lisca Bianca

Cinematography:
1970  Sunflower
1973  Amarcord
1974  The Beast
1975  The Divine Nymph
1979  Figlio delle stelle
1979  Hot Potato
1979  Together?
1980  Arrivano i gatti
1980  Voltati Eugenio
1981  Tragedy of a Ridiculous Man
1983  Return to Lisca Bianca Island
1983  The Black Stallion Returns
1986  Let's Hope It's a Girl
1991  Paprika
1994  The Voyeur
1998  Frivolous Lola
2000  Cheeky
2002  Black Angel
2017  Archeologia del set: Ritorno a Lisca Bianca

Director of Photography:
1970  Sunflower
1973  Amarcord
1974  The Beast
1975  The Divine Nymph
1979  Figlio delle stelle
1979  Hot Potato
1979  Together?
1980  Arrivano i gatti
1980  Voltati Eugenio
1981  Tragedy of a Ridiculous Man
1983  Return to Lisca Bianca Island
1983  The Black Stallion Returns
1986  Let's Hope It's a Girl
1991  Paprika
1992  All Ladies Do It
1994  The Voyeur
1998  Frivolous Lola
2000  Cheeky
2002  Black Angel
2017  Archeologia del set: Ritorno a Lisca Bianca

Photo Retouching:
1970  Sunflower
1973  Amarcord
1974  The Beast
1975  The Divine Nymph
1979  Figlio delle stelle
1979  Hot Potato
1979  Together?
1980  Arrivano i gatti
1980  Voltati Eugenio
1981  Tragedy of a Ridiculous Man
1983  Return to Lisca Bianca Island
1983  The Black Stallion Returns
1986  Let's Hope It's a Girl
1991  Paprika
1992  All Ladies Do It
1994  The Voyeur
1998  Frivolous Lola
2000  Cheeky
2002  Black Angel
2017  Archeologia del set: Ritorno a Lisca Bianca

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.