A work in constant progress (and occasional regress).
Release Date:
November 10, 2004
Original Title:
Bridget Jones: The Edge of Reason
Alternate Titles:
Bridget Jones - Am Rande des Wahnsinns
Bridget Jones - The Edge of Reason
Bridget Jones' Diary 2
Bridget Jones: I epomeni selida
Bridget Jones: Məntiqin Sirri
Bridget Jonesui ilgi: Yeoljeong aejeong
Bridzhit Dzhons: Grani razumnogo
Bridzhit Dzhouns: Na rŭba na razuma
Bridzhyt Dzhons: Mezhi rozumnoho
Bridžit Džouns: Na ivici razuma
El Diario de Bridget Jones II Sobreviviré
Genres:
Comedy | Romance
Production Companies:
Little Bird
Miramax
StudioCanal
Universal Pictures
Working Title Films
Production Countries:
France | Ireland | United Kingdom | United States of America
Ratings / Certifications:
AU: M BE: 18 BR: 14 CH: 16 CZ: 18+ DE: 6 DK: 11 ES: 12 FI: K-7 FR: 12 GB: 15 HU: 16 IE: 16 IT: T KR: 15 NL: 12 NO: 12 PL: 16 PT: M/12 RO: 18 SE: Btl US: R
Runtime: 108
Bridget Jones is working as a TV host and still dating her new love, barrister Mark Darcy, for a perfect six weeks. But Bridget is jealous of the time Mark spends with a gorgeous co-worker Rebecca and, despite a vacation meant to smooth things over, ends their relationship. On assignment in Thailand with her disreputable ex, Daniel Cleaver - claiming to be a reformed man - they have a short dalliance, and she is arrested at the airport and temporarily jailed on the false accusation of drug smuggling before Mark, seemingly indifferent, comes to the rescue.
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ADR Editor:
Lee Herrick
ADR Mixer:
Ted Swanscott
Jamie Roden
ADR Recordist:
Nick Foley
ADR Voice Casting:
Abigail Barbier
Accountant:
Fritz Gruner
Additional Grip:
Paul Hatchman
Additional Music:
Stephen Barton
Additional Third Assistant Director:
Amy Coop
Art Department Assistant:
Sarah Whittle
Art Department Coordinator:
Sudkamol Tangtham
Art Direction:
Paul Inglis
Assistant Accountant:
Dan Hillsdon
Assistant Costume Designer:
Claire Finlay-Thompson
Assistant Dialogue Editor:
Katy Wood
Assistant Location Manager:
Marc Brugger
Assistant Production Coordinator:
Brigitte Dolibasic
Assistant Unit Manager:
Ian Ford
Best Boy Electric:
Sommay Saengsinchai
Best Boy Grip:
'Yuk' Sanam Srikum
CG Artist:
Nicola Brodie
Camera Trainee:
Amy Hall
Carpenter:
Peter N. Brown
Casting:
Michelle Guish
Casting Associate:
Gaby Kester
Clapper Loader:
Joe Wright
Colorist:
Adam Inglis
Construction Buyer:
Zoe Robertson
Construction Foreman:
Supawat Jeanpetch
Continuity:
Karen Fryer
Costume Assistant:
Yvonne Duckett
Costume Designer:
Jany Temime
Costume Supervisor:
Annie Crawford
Crowd Assistant Director:
Candy Marlowe
Dialect Coach:
Barbara Berkery
Dialogue Editor:
Lee Herrick
Digital Compositors:
Ciaran Crowley
Digital Intermediate Producer:
Claire McGrane
Director:
Beeban Kidron
Director of Photography:
Adrian Biddle
Dolby Consultant:
Mattew Desborough
Draughtsman:
James Foster
Dressing Prop:
Alex Boswell
Driver:
Paul Brosnan
Editor:
Greg Hayden
Electrician:
Ray Bateman
Executive In Charge Of Production:
Michelle Wright
Executive Producer:
Liza Chasin
Debra Hayward
Extras Casting:
Chuck Douglas
Extras Casting Assistant:
Jarenrith Srisuwan
First Assistant Camera:
Sean Evans
First Assistant Director:
Filippo Fassetta
First Assistant Editor:
Tania Clarke
First Assistant Sound Editor:
Andrew Wilkinson
Floor Runner:
Pattamawan Chaiwattananan
Focus Puller:
Steve Burgess
Foley Artist:
Hugo Adams
Jack Stew
Diane Greaves
Foley Mixer:
Kevin Tayler
Gaffer:
Kevin Day
Generator Operator:
Ronnie Savory
Graphic Designer:
Carol Kupisz
Greensman:
Ian Whiteford
Grip:
John Flemming
Hair Assistant:
Thanaporn Ariyaputi
Hair Designer:
Graham Johnston
Hairstylist:
Carmel Jackson
Helicopter Camera:
Marc Wolff
Leadman:
Pol Muangnum
Libra Head Technician:
Tim Dean
Line Producer:
Klaus Jüptner
Bernard Bellew
Cesare Landricina
Location Assistant:
Anthony Jacobs
Location Manager:
Crispin Buxton
Makeup Artist:
Carmel Jackson
Matte Painter:
Neil Miller
Music Consultant:
Kirsten Lane
Music Coordinator:
Alexandra Hill
Music Editor:
Michael Price
Music Supervisor:
Nick Angel
Negative Cutter:
Jason Wheeler
Novel:
Helen Fielding
Orchestrator:
Kirk Bennett
Original Music Composer:
Harry Gregson-Williams
Stuart Roslyn
Painter:
Mark Dowling
Pilot:
Tony Richards
Post Production Coordinator:
Lucie Graves
Post Production Supervisor:
Jeanette Haley
Producer:
Tim Bevan
Jonathan Cavendish
Eric Fellner
Production Accountant:
Wendy Ellerker
Production Assistant:
Lara Davis
Production Coordinator:
Maresa Breuer
Production Design:
Gemma Jackson
Production Executive:
Jan Hogevold
Production Manager:
Beatrice Arweiler
Production Runner:
Nicole Devcic
Production Supervisor:
Santa Pestonji
Property Master:
Barry Gibbs
Propmaker:
Rohan Harris
Rigging Gaffer:
Pat Miller
Rotoscoping Artist:
Sandra Reis
Scenic Artist:
Howard Weaver
Screenplay:
Adam Brooks
Helen Fielding
Richard Curtis
Andrew Davies
Second Assistant Camera:
Marc Atherfold
Set Decoration:
Anna Lynch-Robinson
Sound Effects Editor:
Ben Barker
Sound Mixer:
Simon Hayes
Sound Recordist:
Michael Legum
Special Effects Supervisor:
Stuart Brisdon
Special Effects Technician:
Peter Haran
Stand In:
James Linton
Standby Painter:
Tom Roberts
Steadicam Operator:
Alf Tramontin
Still Photographer:
Laurie Sparham
Storyboard Artist:
Tony Chance
Stunt Coordinator:
Paul Jennings
Supervising Art Director:
David Warren
Supervising Carpenter:
Peter Brown
Supervising Sound Editor:
Glenn Freemantle
Third Assistant Director:
Susan Drennan
Title Designer:
Matt Curtis
Travel Coordinator:
Lesley Keane
Unit Publicist:
Stacy Mann
Video Assist Operator:
Theera Boonsri
Visual Effects Coordinator:
Claudia Dehmel
Visual Effects Editor:
Andy Hague
Visual Effects Producer:
Hal Couzens
Visual Effects Supervisor:
Jody Johnson
Wardrobe Master:
Laurent Guinci
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.