A work in constant progress (and occasional regress).
Additional Camera:
2009 Frequently Asked Questions About Time Travel
2013 Hummingbird
Camera Operator:
2000 Vertical Limit
2002 Atomic Twister
2007 1408
2008 The Duchess
2009 Frequently Asked Questions About Time Travel
2013 Hummingbird
2013 Summer in February
2015 Man Up
Cinematography:
1997 Forgotten Silver
2000 Vertical Limit
2002 Atomic Twister
2007 1408
2008 The Duchess
2009 Frequently Asked Questions About Time Travel
2013 Hummingbird
2013 Summer in February
2014 The Hatching
2015 Man Up
2024 Touchdown
Director of Photography:
1997 Forgotten Silver
2000 Vertical Limit
2002 Atomic Twister
2007 1408
2008 The Duchess
2009 Frequently Asked Questions About Time Travel
2013 Hummingbird
2013 Summer in February
2014 The Hatching
2015 Man Up
2016 Anti Matter
2016 Taking Stock
2019 Dad Joke
2020 Waiting for Anya
2021 Chiusi fuori
2024 Hajjan
2024 Touchdown
???? The Chelsea Cowboy
Focus Puller:
1995 Dirty Creature
1997 Forgotten Silver
2000 Vertical Limit
2002 Atomic Twister
2007 1408
2008 The Duchess
2009 Frequently Asked Questions About Time Travel
2013 Hummingbird
2013 Summer in February
2014 The Hatching
2015 Man Up
2016 Anti Matter
2016 Taking Stock
2019 Dad Joke
2020 Waiting for Anya
2021 Chiusi fuori
2024 Hajjan
2024 Touchdown
???? The Chelsea Cowboy
Steadicam Operator:
1995 Dirty Creature
1997 Forgotten Silver
2000 Vertical Limit
2002 Atomic Twister
2005 The Dark
2007 1408
2008 The Duchess
2009 Frequently Asked Questions About Time Travel
2013 Hummingbird
2013 Summer in February
2013 Welcome to the Punch
2014 Effie Gray
2014 The Hatching
2014 The Theory of Everything
2015 Man Up
2016 Anti Matter
2016 Taking Stock
2019 Dad Joke
2020 Waiting for Anya
2021 Chiusi fuori
2024 Hajjan
2024 Touchdown
???? The Chelsea Cowboy
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.