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The Theory of Everything (2014) [PG-13]

Release Date:
November 26, 2014

Original Title:
The Theory of Everything

Alternate Titles:
La teoría del todo
La théorie de l'univers
Travelling to Infinity
Travelling to Infinity: My Life with Stephen

Genres:
Drama | Romance

Production Companies:
Working Title Films

Production Countries:
United Kingdom | United States of America

Ratings / Certifications:
AT: 12  AU: PG  BE: 14  BR: 10  CZ: 12+  DK: 7  ES: APTA  FR: TP  GB: 12A  GR: PG  HU: 12  IE: 12A  IL: הותר לכל  KR: 12  MX: A  NL: 9  PL: 12  PT: M/14  RO: 12  RU: 16+  SE: 7  US: PG-13 

Runtime: 123

His mind changed our world. Her love changed his.

Overview from TheMovieDB

The Theory of Everything is the extraordinary story of one of the world’s greatest living minds, the renowned astrophysicist Stephen Hawking, who falls deeply in love with fellow Cambridge student Jane Wilde.

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Additional information:

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Performers

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Production

ADR Editor:
Gillian Dodders
Paul Wrightson

Art Department Assistant:
Alice Sutton

Assistant Art Director:
Kira Kemble

Assistant Sound Editor:
Nicholas Freemantle

Associate Editor:
Mark Keady

Associate Producer:
Lucas Webb

Book:
Jane Hawking

Boom Operator:
Colin Gregory

Camera Operator:
Mark Milsome

Casting:
Nina Gold

Casting Assistant:
Theo Park
Robert Sterne

Casting Associate:
Lauren Evans

Co-Producer:
Richard Hewitt

Costume Design:
Stephen Noble

Costume Supervisor:
Natasha Cousins

Dialect Coach:
Jill McCullough

Dialogue Editor:
Gillian Dodders
Paul Wrightson

Director:
James Marsh

Director of Photography:
Benoît Delhomme

Editor:
Jinx Godfrey

Executive Producer:
Amelia Granger
Liza Chasin
David Kosse

First Assistant Director:
Deborah Saban

First Assistant Editor:
Mark Keady

Foley Editor:
Glen Gathard
Derek Trigg

Gaffer:
Pat Sweeney

Greensman:
Mat Campbell
Tim Lanning

Hair Designer:
Jan Sewell

Hairstylist:
Agnes Legere

Key Grip:
Jim Philpott

Key Makeup Artist:
Lesley Smith

Location Manager:
Rebecca Pearson
David Campbell-Bell

Makeup Artist:
Agnes Legere
Anita Burger

Makeup Designer:
Jan Sewell

Music Editor:
Allan Jenkins
John Warhurst

Music Supervisor:
Sarah Bridge
Claire Freeman

Orchestrator:
Anthony Weeden
Jóhann Jóhannsson

Original Music Composer:
Jóhann Jóhannsson

Painter:
Dean Hawley

Producer:
Eric Fellner
Lisa Bruce
Anthony McCarten
Tim Bevan

Production Accountant:
Craig Barwick

Production Coordinator:
Carrie-Ann Banner

Production Design:
John Paul Kelly

Production Sound Mixer:
Colin Nicolson

Property Master:
Craig Price

Props:
Kevin Day

Prosthetic Designer:
Jan Sewell

Prosthetic Supervisor:
Kristyan Mallett

Rigging Gaffer:
Liam McGill

Screenplay:
Anthony McCarten

Script Supervisor:
Sylvia Parker

Sculptor:
Bruce Gordon

Set Decoration:
Claire Nia Richards

Sound Designer:
Danny Freemantle
Ben Barker

Sound Effects Editor:
Dillon Bennett
Eilam Hoffman

Sound Re-Recording Mixer:
Adam Scrivener
Ian Tapp

Special Effects Supervisor:
Mark Holt

Steadicam Operator:
Gerry Vasbenter

Still Photographer:
Liam Daniel

Storyboard Artist:
Dan Maslen

Stunt Coordinator:
Glenn Marks

Supervising Art Director:
David Hindle

Supervising Sound Editor:
Glenn Freemantle

Title Designer:
Matt Curtis

Unit Production Manager:
Alison Banks

Unit Publicist:
Rachel Kennedy

Visual Effects Coordinator:
Ines Li
Finola O'Brien

Visual Effects Producer:
Noga Alon Stein

Wigmaker:
Alex Rouse

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.