A work in constant progress (and occasional regress).
Release Date:
February 7, 2020
Original Title:
Waiting for Anya
Alternate Titles:
À Espera de Anya
Čekání na Aňu
アーニャは、きっと来る
安雅的回家路
Genres:
Drama | War
Production Companies:
13 Films
Artémis Productions
Bad Penny Productions
Fourth Culture Films
Goldfinch Studios
Production Countries:
Belgium | United Kingdom | United States of America
Ratings / Certifications:
DE: 12 GB: 12 IE: 12 JP: G TW: 普遍級 US: NR
Runtime: 109
During the harrows of WWII, Jo, a young shepherd along with the help of the widow Horcada, helps to smuggle Jewish children across the border from southern France into Spain.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Mixer:
Nick Baldock
Greg Crawford
Josh Heilbronner
ADR Supervisor:
Adrian Furdui
Art Direction:
Philippe Cabrie
Assistant Costume Designer:
Lindy Gander
Assistant Editor:
Nina Haditalab
Matthew Wingad
Assistant Sound Editor:
Thomas Holroyd
Associate Producer:
Ross Marian
CG Artist:
Tim Gathercole
CG Supervisor:
Andrew Jones
Casting:
Shannon Makhanian
Casting Associate:
Claire Bleasdale
Colorist:
Adam Shell
Costume Design:
Agnès Noden
Dialect Coach:
Rebecca Gausnell
Dialogue Editor:
Marek Forreiter
Director:
Ben Cookson
Director of Photography:
Gerry Vasbenter
Editor:
Chris Gill
Electrician:
Nicolas Dufay
Denis Antheunissens
Kevin Kain
Executive Producer:
Tannaz Anisi
Gregory R. Schenz
Extras Casting:
Nathalie Camidebach
First Assistant "A" Camera:
Dora Krolikowska
First Assistant "B" Camera:
Clare Connor
First Assistant Editor:
Bertrand Conard
Nigel Bunyan
Floor Runner:
Patrick Gillespie
Foley Artist:
Patrick Singer
Kristiana Udre
Vincent Maloumian
Foley Editor:
James Matthews
Foley Mixer:
Tanay Nambiar
Gaffer:
Antony Allen
Graphic Designer:
Paul Olivier
Key Grip:
Rebecca Horsburgh
Lighting Technician:
Gauthier Berlaimont
Makeup Artist:
Abi Lilley
Helen Chesworth
Makeup Designer:
Frances Hounsom
Makeup Supervisor:
Sarah Jane Marks
Novel:
Michael Morpurgo
Online Editor:
Susumu Asano
Original Music Composer:
James Seymour Brett
Producer:
Alan Latham
Phin Glynn
Production Accountant:
Emmanuelle Balestrieri
Production Coordinator:
Nancy Bressolles
Production Design:
Laurence Brenguier
Production Sound Mixer:
Aris Anastassopoulos
Rigging Grip:
Edwin Van Den Hove
Script Editor:
Charles E. Savage
Script Supervisor:
Nua Watford
Second Assistant "A" Camera:
Clare Seymour
Second Assistant "B" Camera:
Ben Gadsden
Set Costumer:
Camille Ballouhey
Set Decoration:
Philippe Cabrie
Jacq Eric
Sound Assistant:
Rory Hammond
Kian McClure
Sound Designer:
Simon Gershon
Sound Editor:
Olivia Celeste Barry
Sound Effects Editor:
Jonathan Smith
Sound Re-Recording Mixer:
Ben Carr
Still Photographer:
Paul Stephenson
Studio Teacher:
Jessica Phelps
Supervising Sound Editor:
Peter Baldock
Visual Effects Supervisor:
Ari Levinson
Ben Louden
Writer:
Ben Cookson
Toby Torlesse
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.