A work in constant progress (and occasional regress).
Birthplace:
Montevideo, Uruguay
Born:
January 3, 1976
Daniel Hendler (born 3 January 1976) is a Uruguayan film, television, and theatre actor who works mainly in the cinema of Argentina, where he lives. He is known for his starring roles in films such as Bottom of the Sea, Family Law, The Paranoids, Phase 7 and Lost Embrace. Working on both sides of the Río de la Plata, Hendler achieved international recognition due to his awards as an actor. Hendler is part of the generation of actors who revitalized the Uruguayan cinema with films like 25 Watts, and is one of the regular actors of the so-called New Argentine Cinema.
Associate Producer:
2010 Cabeça a Prêmio
Director:
1996 December 31st
2001 January 6th
2010 Cabeça a Prêmio
2012 Norberto's Deadline
2016 The Candidate
???? 27 noches
???? Un cabo suelto
Executive Producer:
1996 December 31st
2001 January 6th
2010 Cabeça a Prêmio
2012 Norberto's Deadline
2013 Por un tiempo
2016 The Candidate
???? 27 noches
???? Un cabo suelto
Producer:
1996 December 31st
2001 January 6th
2010 Cabeça a Prêmio
2010 The Romantics
2012 Norberto's Deadline
2013 Por un tiempo
2016 The Candidate
???? 27 noches
???? Un cabo suelto
Screenplay:
1996 December 31st
2001 January 6th
2010 Cabeça a Prêmio
2010 The Romantics
2012 Norberto's Deadline
2013 Por un tiempo
2016 The Candidate
???? 27 noches
???? Un cabo suelto
Thanks:
1996 December 31st
2001 January 6th
2003 Musical Chairs
2010 Cabeça a Prêmio
2010 The Romantics
2012 Norberto's Deadline
2013 Por un tiempo
2016 The Candidate
???? 27 noches
???? Un cabo suelto
Writer:
1996 December 31st
2001 January 6th
2003 Musical Chairs
2010 Cabeça a Prêmio
2010 The Romantics
2012 Norberto's Deadline
2013 Por un tiempo
2016 The Candidate
???? 27 noches
???? Un cabo suelto
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.