A work in constant progress (and occasional regress).
Release Date:
May 12, 2022
Original Title:
El sistema K.E.OP/S
Alternate Titles:
El sistema KEOPS
Genres:
Action | Comedy | Drama | Mystery | Thriller
Production Companies:
Wanka Cine
Production Countries:
Argentina
Ratings / Certifications:
N/A
Runtime: 119
Belgrano neighborhood, Buenos Aires, Argentina. Someone is watching Fernando Berlasky from one of the countless windows in front of his apartment and sending him e-mails.
Administration:
Carolina González Diez
Animation:
Nahuel Moreno
Art Direction:
Marina Raggio
Assistant Art Director:
Paula Melfi
Florencia Gabelli
Assistant Camera:
Pablo Villarreal
Federico Jose Casagrande
Assistant Costume Designer:
Soledad Ailin Giachetti
Federico Brú
Assistant Director:
Santiago Masip
Assistant Editor:
Iair Michel Attías
Assistant Property Master:
Maria Calcagno
Boom Operator:
Lucas Pablo Ulecia Sanz
Casting:
Katia Szechtman
Cinematography:
Lucio Bonelli
Colorist:
Diego Burlando
Continuity:
Laura Perovich
Natalia Ferreyra
Coordinating Producer:
Agustina Olaciregui
Eugenia Molina
Costume Design:
Laura Donari
Pia Krimer
Dialogue Editor:
Florencia González Rogani
Digital Compositor:
Ignacio La Rosa
Constanza Ruiz
Felix Curani
Santos Nicolas Sequeira
Diego Gardeñes
Ludmila Ortiz
Director:
Nicolás Goldbart
Director of Photography:
Diego Poleri
Editor:
Federico Rotstein
Editorial Consultant:
Guille Gatti
Electrician:
Jorge Martínez
Adrián Blanco
Matías Mora
Walter Saavedra
José Luis Méndez
Ivan Dario Silveira Aguilarte
Adrian Gaucho Arce
Martín Velasco
Executive Producer:
Ezequiel Capaldo
Ezequiel Borovinsky
Nicolás Goldbart
First Assistant Camera:
Mercedes Laborde
First Assistant Director:
Máximo Báncora
Foley Editor:
Kevin Colman Bertoni
Gaffer:
Luis Arancibia
Adrián Leonardo Piñeiro
Grip:
Mariano Razzetto
Key Grip:
Alexis Choruzy
Emilio Razzetto
Juan Manuel Muñoz
Location Manager:
Juan Ignacio Garri
Nicolás Venuti
Makeup Artist:
Beatriz Segovia
Néstor Burgos
Music:
Pedro Onetto
Orchestrator:
Micaela Carballo
Producer:
Ezequiel Borovinsky
Producer's Assistant:
Costanza Epifanio
María Emilia Abate
Production Manager:
Ariana Aisenberg
Props:
David D'Orazio
Damian Barletta
Julián Spagnol
Second Assistant Camera:
Julián Dabien
Ana Carolina Strongoli
Sofia Martin Candela
Kaikén Alascio
Set Designer:
Soledad Guerrero
Sound:
Martín Grignaschi
Sound Designer:
Martín Grignaschi
Sound Effects Editor:
Lucas Page
Sound Mixer:
Rubén Piputto Santos
Sound Montage Associate:
Silvestre Torretta
Sound Post Production Coordinator:
Sofía Riso
Sound Re-Recording Mixer:
Jorge Gutiérrez Jiménez
Lucas Meyer
Special Effects Coordinator:
Franco Burattini
Special Effects Technician:
Juan Sebastián Azurmendi
Marcos Berta
Román Kampelmacher
Still Photographer:
Valeria Fiorini
Stunt Coordinator:
Ariel Arredondondo
Visual Effects Compositor:
Marcos Montane
Visual Effects Coordinator:
Leandro Bruschtein
Florencia Gorbacz
Visual Effects Designer:
Javier Bravo
Visual Effects Editor:
Iair Michel Attías
Cristian Fieiras
Visual Effects Producer:
Ezequiel Borovinsky
Ezequiel Capaldo
Eugenia Molina
Visual Effects Supervisor:
Javier Bravo
Leandro Pugliese
Caro Gonzalez Diez
Writer:
Nicolás Goldbart
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.