A work in constant progress (and occasional regress).
Release Date:
March 14, 2004
Original Title:
El abrazo partido
Alternate Titles:
El abrazo partido
Le fils d'Elias
Le fils d'Élias
Lost Embrace
Genres:
Comedy | Drama
Production Companies:
BD Cine
CinemArt
Classic Film (AR)
Fonds Sud Cinéma
INCAA
Paradis Films
Wanda Visión
Production Countries:
Argentina | France | Italy | Spain
Ratings / Certifications:
N/A
Runtime: 99
In Buenos Aires, the twenty-something Jewish-Argentinean Ariel Makaroff ditches the University of Architecture and spends his time wandering through the downtown gallery where his mother has a lingerie shop and his brother runs an importation business. Ariel has never understood why his father left him when he was a baby, but when his dad returns to Argentina, that will soon change.
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Accountant:
Silvina Cejas
Art Direction:
María Eugenia Sueiro
Assistant Art Director:
Sebastián Goñi
Natalia Grosso
Assistant Camera:
Oscar Ciocia
Pablo Gómez
Assistant Director:
Natalia Urruty
Genoveva Ayala
Assistant Editor:
Luisina Rampoldi
Boom Operator:
Federico Billordo
Camera Operator:
Cobi Migliora
Ramiro Civita
Pedro Valdez
Choreographer:
Gabriela Wielinsky
Co-Producer:
Amedeo Pagani
Marc Sillam
Colorist:
Patrick Delamotte
Costume Design:
Natalia Zubeldía
Roberta Pesci
Director:
Daniel Burman
Director of Photography:
Ramiro Civita
Editor:
Alejandro Brodersohn
Electrician:
Agustín Roca
Ricardo Montecinos Barrios
Fernando González
Executive Producer:
Diego Dubcovsky
Gaffer:
Daniel Ciurleo
Line Producer:
Patricia Apter
Luis Bernárdez
Location Manager:
Federico Noejovich
Ariel Epstein
Makeup Artist:
Cristóbal Renteria
Music:
César Lerner
Music Arranger:
César Lerner
Negative Cutter:
Karine Grebet
Producer:
José María Morales
Production Assistant:
Paola Scagnet
Marcelo Martinez
Production Manager:
Patricia Apter
Script Supervisor:
Pablo Ramos
Second Assistant Camera:
Soledad Abbot
Fernando Blanc
Second Assistant Director:
Magdalena Cernadas
Sound Designer:
Martín Grignaschi
Sound Editor:
Nerina Valido
Fernando Ribero
Supervising Producer:
Sebastián Ponce
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.