Pippa Anderson

Pippa Anderson is the Vice President of Post-Production and oversees the entire post-process for the Lucasfilm slate, including live-action, direct-to-consumer, and animation. Since 2013, with production schedules often overlapping, she has led the post-production process for Strange Magic, Star Wars: The Force Awakens, Rogue One: A Star Wars Story, Star Wars: The Last Jedi, and Solo: A Star Wars Story as well as the Star Wars Rebels animated series. She will continue to oversee post-production for the upcoming Star Wars: The Rise of Skywalker.  After receiving her degree in Business Communication from the University of Technology in Brisbane, Australia, Pippa found herself drawn into the entertainment industry following a stint editing three telemovies, a task she hadn't specifically trained for in her journalism major but was well suited for as a storyteller. That series of films launched an extensive and successful career in editing for both television and film until finally moving full-time into post-production supervision. She spent several years as Head of Post for Peter Jackson in New Zealand, during which she supervised and delivered several major projects, including King Kong (2005), The Lovely Bones, District 9, and The Adventures of Tintin, where she first met producer and future president of Lucasfilm, Kathleen Kennedy.  When Lucasfilm was acquired by Disney in 2012, George Lucas asked Kennedy to lead the company, and she hand-picked Pippa to head up post-production. Since then, Pippa has managed all stages of post for the Star Wars films, including budget and schedule strategy, editorial, sound design, music, and final delivery. She was also credited as a co-producer on Star Wars: The Force Awakens and Star Wars: The Last Jedi.  Pippa is a member of the Academy of Motion Picture Arts and Sciences.  Information above via their Lucasfilm official site bio.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.