A work in constant progress (and occasional regress).
Alias:
Sam O' Steen
Birthplace:
St. Francis, Arkansas, USA
Born:
November 6, 1923
Died:
October 11, 2000
Sam O'Steen was an American film editor and director, renowned for his collaborations with director Mike Nichols. His editing work on films like The Graduate (1967), Rosemary's Baby (1968), and Chinatown (1974) earned him critical acclaim and multiple award nominations. O'Steen's precise editing style significantly influenced the pacing and narrative structure of these classic films. He also directed several television movies, including Queen of the Stardust Ballroom (1975), showcasing his versatility in the industry.
Assistant Editor:
1958 Auntie Mame
Director:
1958 Auntie Mame
1973 A Brand New Life
1974 I Love You...Good-bye
1975 Queen of the Stardust Ballroom
1976 High Risk
1976 Look What's Happened to Rosemary's Baby
1976 Sparkle
1981 The Best Little Girl in the World
1985 Kids Don't Tell
Editor:
1958 Auntie Mame
1964 Kisses for My President
1964 Robin and the 7 Hoods
1964 Youngblood Hawke
1965 Marriage on the Rocks
1965 None But the Brave
1966 Who's Afraid of Virginia Woolf?
1967 Cool Hand Luke
1967 Hotel
1967 The Graduate
1968 Rosemary's Baby
1969 The Sterile Cuckoo
1970 Catch-22
1971 Carnal Knowledge
1972 Portnoy's Complaint
1973 A Brand New Life
1973 The Day of the Dolphin
1974 Chinatown
1974 I Love You...Good-bye
1975 Queen of the Stardust Ballroom
1976 High Risk
1976 Look What's Happened to Rosemary's Baby
1976 Sparkle
1978 Straight Time
1979 Hurricane
1979 Together?
1981 The Best Little Girl in the World
1982 Amityville II: The Possession
1983 Silkwood
1985 Kids Don't Tell
1986 Heartburn
1987 Nadine
1988 Biloxi Blues
1988 Frantic
1988 Working Girl
1989 A Dry White Season
1990 Postcards from the Edge
1991 Regarding Henry
1992 Consenting Adults
1994 Wolf
1997 Night Falls on Manhattan
1999 The White River Kid
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.