A work in constant progress (and occasional regress).
Release Date:
November 1, 1967
Original Title:
Cool Hand Luke
Alternate Titles:
La leyenda del indomable
Rebell i bojor
Непокорният Люк
Хладноруки кажњеник
冷手卢克
폭력 탈옥
폭력탈옥
Genres:
Crime | Drama
Production Companies:
Jalem Productions
Warner Bros.-Seven Arts
Production Countries:
United States of America
Ratings / Certifications:
AU: M DE: 16 DK: 15 ES: 12 FI: K-16 FR: 12 GB: 15 HU: 18 IE: 15 JP: R18+ NL: 12 NZ: M SE: 15 US: PG
Runtime: 127
When petty criminal Luke Jackson is sentenced to two years in a Florida prison farm, he doesn't play by the rules of either the sadistic warden or the yard's resident heavy, Dragline, who ends up admiring the new guy's unbreakable will. Luke's bravado, even in the face of repeated stints in the prison's dreaded solitary confinement cell, "the box," make him a rebel hero to his fellow convicts and a thorn in the side of the prison officers.
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2003 #30 |
100 Years: 100 HEROES & VILLAINS
50 Greatest Heroes “Luke Jackson” |
2005 #11 |
100 Years: 100 MOVIE QUOTES
100 Greatest Movie Quotes Of All Time “What we've got here is failure to communicate.” |
2006 #71 |
100 Years: 100 CHEERS
100 Most Inspiring Films Of All Time |
Additional Soundtrack:
Barney Kessel
Tommy Morgan
Art Direction:
Cary Odell
Assistant Director:
Hank Moonjean
Camera Operator:
Jordan Cronenweth
Costume Design:
Howard Shoup
Director:
Stuart Rosenberg
Director of Photography:
Conrad L. Hall
Editor:
Sam O'Steen
Electrician:
Harry Sundby
First Assistant Camera:
Thomas Del Ruth
Hairstylist:
Jean Burt Reilly
Makeup Artist:
Gordon Bau
Novel:
Donn Pearce
Original Music Composer:
Lalo Schifrin
Producer:
Carter DeHaven Jr.
Gordon Carroll
Rigging Gaffer:
Michael A. Jones
Screenplay:
Frank Pierson
Donn Pearce
Set Decoration:
Fred Price
Set Dressing Artist:
Craig Binkley
Sound Designer:
Larry Jost
Sound Re-Recording Mixer:
Dan Wallin
Stunts:
M. James Arnett
Chuck Hicks
Title Designer:
Wayne Fitzgerald
Writer:
Hal Dresner
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.