A work in constant progress (and occasional regress).
Birthplace:
Vancouver, Canada
Born:
January 1, 1950
Peter Hanlon’s career as a professional actor spans over three and a half decades. He began his career in 1969 by appearing in guests spots on The Rovers, Division 4, Catwalk and Homicide. Hanlon soon began to garnish an impressive resume. He gained international recognition by portraying the iconic suicidal teacher in the top grossing film of 2000, Scary Movie. Hanlon has appeared in recurring characters on the L-Word, X-Files, Millennium and So-Weird. Peter’s speciality in the classroom is clarity, posture and verbiage “I find it is incredibly important for an actor, whether professional or just starting out to be specific with one’s intention. We are specific and understand exactly what we want in life, we must learn to duplicate that on stage or for the camera. I teach our students to bring a strong level of clarity to the work that they produce”. One can also see Hanlon’s work in 21 Jump Street, Behind the Camera: Mork & Mindy, The Unsaid, Psych, Supernatural and The Killing. Peter has worked with industry heavyweights such as The Wayan Brothers, Andy Garcia, Benicio Del Toro, Ed Asner and Rodney Dangerfield. Hanlon has emerged as one of Vancouver’s most sought after acting coaches. His strength being his incredible ability to open up students to the possibilities that lie before them; drawing out the courage and skill to hone the natural talents they never thought they had within them. Peter is a passionate, energetic and caring member of the New Image College acting team. Three qualities that have made him one of our most beloved members.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.