A work in constant progress (and occasional regress).
Release Date:
July 24, 2016
Original Title:
Signed, Sealed, Delivered: One in a Million
Alternate Titles:
Vous avez un message : La perle rare ?
Genres:
Romance | TV Movie
Production Companies:
Larry Levinson Productions
Moon Water Productions
Muse Entertainment
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 84
Lead postal detective Oliver and his associate Shane have been doing a figurative dance with each other, swaying back and forth with the possibility of a relationship. Finally, on their first date at a romantic supper club, Shane begins wondering if it's a date or not, as she sees the contrast of their relationship next to the extraordinary dance performances of a couple who express the longing of her heart. As Norman and Rita work alongside each other, their personal relationship hits a bump in the road.
Animal Wrangler:
Ian Doig
Art Direction:
Kayla Mackey
Assistant Costume Designer:
Desire Egan
Stephanie Janyk
Assistant Editor:
Eugen Mihalicka
Assistant Hairstylist:
Lilia Afsahi
Assistant Location Manager:
Steve Kinghorn
Assistant Makeup Artist:
Amy-Leigh Poitras
Assistant Production Coordinator:
Chase Brettoner
Sam Marshall
Adrian Bojidar
Assistant Property Master:
Jessica Campbell
Malika Montague
Assistant Sound Editor:
Sean Szutka
Background Casting Director:
Sara Brown
Best Boy Electric:
Bryn McCashin
Best Boy Grip:
Sean Rooney
Boom Operator:
Paul Novokshonoff
Camera Operator:
Tyler Walzak
Catherine Mallette
Camera Trainee:
Lyndsay Gresl
Casting:
Shana Landsburg
Jackie Lind
Co-Executive Producer:
Brandi Harkonen
Marcie Gold
Costume Design:
Valerie Halverson
Costume Set Supervisor:
Michelle McDonald
Craft Service:
Bridget Beall
Melissa Muller
Creator:
Martha Williamson
Dialogue Editor:
Roger Morris
Director:
Kevin Fair
Director of Photography:
Adam Sliwinski
Dolly Grip:
Ty Klassen
Editor:
Tony Dean Smith
Executive Producer:
Joel S. Rice
Michael Prupas
Martha Williamson
Kevin Fair
First Assistant Camera:
Tegan Kolodinski
Robert Siuda
First Assistant Director:
Matthew Blecha
First Assistant Production Coordinator:
Laura Obenaus
Foley Artist:
Don Harrison
Ian Mackie
Foley Recording Engineer:
Rick Senechal
Gaffer:
William McKnight
Generator Operator:
Randy Rohrback
Key Grip:
Mark Hyunwoo Park
Key Hair Stylist:
Rosa Terracciano
Key Makeup Artist:
Erin Mackenzie
Lead Set Dresser:
Ali Tavasoli
Location Manager:
Michael Farias
Music Supervisor:
Valerie Biggin
Online Editor:
Kipp Lightburn
Original Music Composer:
James Jandrisch
Payroll Accountant:
Jennifer Lloyd
Post Production Coordinator:
Sepideh Merchant
Post Production Supervisor:
Jason Macintyre
Producer:
Harvey Kahn
Production Accountant:
Doreen Davis
Production Coordinator:
Yale Kussin
Production Design:
Sean Kirkby
Production Manager:
Allen Lewis
Property Master:
Laurin Kelsey
Props:
Charles Ouelette Pelletier
Lila McKinlay
Script Coordinator:
Jojo Lau
Script Supervisor:
Holly Atchison
Second Assistant Camera:
Kyle Douglas Murray
Molly Mackinnon
Second Assistant Director:
Annabelle Wilczur
Set Decoration:
Jacqueline Miller
Set Dresser:
Jonathan Peter Fill
Sound Designer:
Jeff Jackman
Sound Mixer:
Sebastian Salm
Sound Re-Recording Mixer:
Greg Stewart
Angelo Nicoloyannis
Special Effects Coordinator:
Darcy Davis
Still Photographer:
Duane Prentice
Ryan Plummer
Story:
Martha Williamson
Brandi Harkonen
Stunt Coordinator:
Brett Armstrong
Stunt Double:
Lisa Chandler
Supervising Producer:
Allen Lewis
Matthew Blecha
Teleplay:
Martha Williamson
Third Assistant Director:
Lee Karlovic
Transportation Captain:
Tsering Rongae
Transportation Coordinator:
Dean Fitzpatrick
Visual Effects Coordinator:
Tyler Mirecki
Visual Effects Supervisor:
Barry Liu
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.