A work in constant progress (and occasional regress).
Release Date:
February 6, 2016
Original Title:
Appetite for Love
Alternate Titles:
Food for the Heart
Ricetta d'amore
Genres:
Romance | TV Movie
Production Companies:
Hallmark Media
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 85
Mina has everything going for her, but her world is turned upside down when work sends her to her hometown in Tennessee where she must convince an old, stubborn restaurant owner to sell his property. There is just one problem- the restaurant is now owned by her ex-boyfriend Clay, who claims he will never sell. He resists her negotiations every step of the way, and all the while sparks fly.
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"A" Camera Operator:
Glen A. Dickson
Chris Harris
"B" Camera Operator:
Collin Morrison
Accounting Clerk Assistant:
Suzie Guy
Art Direction:
Tracey Loverock
Assistant Costume Designer:
Terry Pitts
Assistant Director Trainee:
Daniel Dornbierer
Assistant Editor:
Jordan Acomba
Lucinda Bruce
Assistant Hairstylist:
Tara Hadden-Watts
Alesha Kabatoff
Assistant Location Manager:
Kris Kadzielski
Assistant Makeup Artist:
Toby Lee
Assistant Production Coordinator:
Ally Kimura
Lyvia Cohen
Suzie Guy
Assistant Property Master:
Nicole La Greca
Assistant Set Decoration:
Sophia Sanford
Assistant Sound Editor:
Angelo Nicoloyannis
Best Boy Electric:
Trevor D. Gray
Best Boy Grip:
Gordon Fairclough
Boom Operator:
Dillon Bochon
Camera Trainee:
Sean Bromley
Casting:
Jackie Lind
Penny Perry
Casting Associate:
Andrea Ware
Colorist:
Achim Kapitza
Costume Designer:
Glenne Campbell
Costume Set Supervisor:
Kristy Rempel
Craft Service:
Violet Barisoff
Dialogue Editor:
Matthew Gionet
Director:
David Mackay
Director of Photography:
Eric J. Goldstein
Dolly Grip:
Rob Tucker
Editor:
Allan Lee
Executive Producer:
Mel Weisbaum
Ann Weston
Christian Bruyère
Marcy Gross
Myra Morris
Howard Braunstein
Extras Casting:
Laurie Pavon Solis
First Assistant "A" Camera:
Rob Wood
First Assistant "B" Camera:
Jackson Harper
First Assistant Director:
Jason Furukawa
Foley Artist:
Ian Mackie
Don Harrison
Foley Recording Engineer:
Rick Senechal
Gaffer:
John Helme
Genetator Operator:
Mick Gray
Grip:
Anthony Deweerdt
Key Grip:
Jeff Smith
Key Makeup Artist:
Hayley Miller
Key Production Assistant:
Thomas Ma
Location Manager:
Costa Vassos
Music Coordinator:
Siân O'Byrne
Music Supervisor:
Valerie Biggin
Original Music Composer:
Graeme Coleman
Post Production Supervisor:
Dawn Knight
Sally Dixon
Producer:
Christian Bruyère
Production Accountant:
Ruth Vincent
Production Coordinator:
Jim McKeown
Production Design:
Grant Pearse
Production Manager:
Mel Weisbaum
Production Sound Mixer:
John Boyle
Property Master:
John Morstad
Second Assistant "A" Camera:
Brandon Scott Flores
Second Assistant "B" Camera:
Keshia Smith
Second Assistant Director:
Shane Erron West
Set Decoration:
Janet Clark
Set Dresser:
Hendrik Young
Katie Weldon
Amanda Christmas
Ali Tavasoli
Sound Designer:
Mario Loubert
Sound Re-Recording Mixer:
Miguel Nunes
Ryan Thompson
Special Effects Coordinator:
Martin Testa
Steadicam Operator:
Ian R. C. Levine
Shaoyun Wang
Still Photographer:
Sergei Bachlakov
Story:
Howard Chesley
Stunt Coordinator:
Brett Armstrong
Stunt Double:
Lisa Chandler
Third Assistant Director:
Jason Yeung
Transportation Captain:
Ray Waechter
Transportation Coordinator:
John Swetlikoe
Truck Costumer:
Jaimie Ochrey
Natashia Malinovsky
Writer:
Damon Hill
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.