A work in constant progress (and occasional regress).
Release Date:
December 15, 1999
Original Title:
Topsy-Turvy
Genres:
Comedy | Drama | History | Music
Production Companies:
Film4 Productions
Goldwyn Films
Newmarket Capital Group
The Greenlight Fund
Thin Man Films
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
US: R
Runtime: 160
After their production "Princess Ida" meets with less-than-stunning reviews, the relationship between Gilbert and Sullivan is strained to breaking. Their friends and associates attempt to get the two to work together again, which opens the way to "The Mikado," one of the duo's greatest successes.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Mixer:
Ted Swanscott
Additional Editor:
Celia Haining
Additional Second Assistant Director:
George Walker
Additional Third Assistant Director:
Dan John
Additional Wardrobe Assistant:
Dan Grace
Art Department Assistant:
Andrew Forrest
Art Direction:
Helen Scott
Assistant Accountant:
Justin Miller
Assistant Costume Designer:
Michael O'Connor
Jacqueline Durran
Assistant Director:
Echo Ward
Assistant Editor:
Victoria Stevens
Mark Neale
Assistant Location Manager:
Scott Horan
Harriet Lawrence
Assistant Makeup Artist:
Nicola Matthews
Assistant Sound Editor:
Mark Rose
Associate Producer:
Georgina Lowe
Best Boy Electric:
Kenny Monger
Boom Operator:
Orin Beaton
Loveday Harding
William Towers
Camera Operator:
Dick Pope
Lucy Bristow
Carpenter:
Steve Deane
Dave Perschky
Joe Willmott
Casting:
Nina Gold
Choreographer:
Francesca Jaynes
Clapper Loader:
Iain Struthers
Color Timer:
Clive Noakes
Construction Manager:
Barry Moll
Costume Assistant:
Andrea Cripps
Katy Laura May
Adam Roach
Costume Design:
Lindy Hemming
Director:
Mike Leigh
Director of Photography:
Dick Pope
Draughtsman:
Charlotte Leatherland
Editor:
Robin Sales
Electrician:
Frank Cox
Alan Graham
First Assistant Director:
Nick Heckstall-Smith
First Assistant Editor:
Jonathan Sales
Floor Runner:
Ben Howard
Focus Puller:
Lucy Bristow
Dan Shoring
David Bryant
Foley Editor:
Paul Wrightson
Foley Mixer:
Ed Colyer
Gaffer:
Martin Duncan
Grip:
Colin Strachan
Hair Designer:
Christine Blundell
Hairdresser:
Tony Martin
Location Manager:
Neil Lee
Lyricist:
W.S. Gilbert
Makeup Artist:
Trefor Proud
Kirstin Chalmers
Dianne Jamieson
Makeup Designer:
Christine Blundell
Music Director:
Gary Yershon
Music Editor:
Denise Connell
Original Music Composer:
Carl Davis
Painter:
Tatiana Macdonald
Derek Honeybun
Post Production Supervisor:
Deborah Reade
Producer:
Simon Channing Williams
Production Accountant:
Will Tyler
Production Assistant:
Deborah Reade
Production Coordinator:
Paula McBreen
Production Design:
Eve Stewart
Production Runner:
Michael D. Walsh
Production Secretary:
Alexandra Kosevic
Property Master:
Tom Read
Researcher:
Rosie Chambers
Scenic Artist:
Loraine Schneider
Justin Overhill
Script Supervisor:
Heather Storr
Second Assistant Director:
Josh Robertson
Set Decoration:
Eve Stewart
John Bush
Set Dresser:
Lisa Lloyd
Andrea Coathupe
Songs:
Arthur Sullivan
Sound:
Mike Prestwood Smith
Sound Assistant:
Alison Ross
Richard Undrell
Sound Re-Recording Mixer:
Howard Bargroff
Adrian Rhodes
Sound Recordist:
Tim Fraser
Standby Art Director:
Diane Dancklefsen
Still Photographer:
Simon Mein
Supervising Music Editor:
Michael Connell
Supervising Sound Editor:
Peter Joly
Third Assistant Director:
Paula Spinks
Hannah Titley
Title Designer:
Chris Allies
Wardrobe Assistant:
Charlotte Finlay
Victoria Clarke
Neil Murphy
Wardrobe Supervisor:
David Crossman
Writer:
Mike Leigh
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.