A work in constant progress (and occasional regress).
Property Master:
1954  Target Earth
1956  Kentucky Rifle
1956  Magnificent Roughnecks
1957  Gun Duel in Durango
1957  The Iron Sheriff
1958  Curse of the Faceless Man
1959  Invisible Invaders
1959  The Atomic Submarine
1959  The Four Skulls of Jonathan Drake
1961  Boy Who Caught a Crook
1961  Five Guns to Tombstone
1961  Police Dog Story
1961  The Flight That Disappeared
1963  The Gun Hawk
1964  The Best Man
1966  Frankie and Johnny
1967  The Ambushers
1968  How to Save a Marriage and Ruin Your Life
1968  The Wrecking Crew
1969  Bob & Carol & Ted & Alice
Props:
1954  Target Earth
1956  Kentucky Rifle
1956  Magnificent Roughnecks
1957  Gun Duel in Durango
1957  Sierra Stranger
1957  The Iron Sheriff
1958  Curse of the Faceless Man
1959  Invisible Invaders
1959  The Atomic Submarine
1959  The Four Skulls of Jonathan Drake
1961  Boy Who Caught a Crook
1961  Five Guns to Tombstone
1961  Police Dog Story
1961  The Flight That Disappeared
1963  The Gun Hawk
1964  The Best Man
1966  Frankie and Johnny
1967  The Ambushers
1968  How to Save a Marriage and Ruin Your Life
1968  The Wrecking Crew
1969  Bob & Carol & Ted & Alice
Set Decoration:
1954  Target Earth
1956  Kentucky Rifle
1956  Magnificent Roughnecks
1957  Gun Duel in Durango
1957  Sierra Stranger
1957  The Iron Sheriff
1958  Curse of the Faceless Man
1959  Invisible Invaders
1959  The Atomic Submarine
1959  The Four Skulls of Jonathan Drake
1960  Tess of the Storm Country
1961  Boy Who Caught a Crook
1961  Five Guns to Tombstone
1961  Police Dog Story
1961  The Flight That Disappeared
1963  The Gun Hawk
1964  The Best Man
1966  Frankie and Johnny
1967  The Ambushers
1968  How to Save a Marriage and Ruin Your Life
1968  The Wrecking Crew
1969  Bob & Carol & Ted & Alice
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.