A work in constant progress (and occasional regress).
Featuring:
Sterling Hayden, Constance Ford, John Dehner
Written by:
Seeleg Lester
Directed by:
Sidney Salkow
Release Date:
April 1, 1957
Original Title:
The Iron Sheriff
Genres:
Western
Production Companies:
Grand Productions (I)
Production Countries:
United States of America
Ratings / Certifications:
GB: U US: NR
Runtime: 73
Frontier peacekeeper Sheriff Galt faces a crisis of conscience in The Iron Sheriff. In the aftermath of a robbery-murder, Galt follows the trail of evidence directly to his own son, Benjie. Sworn to uphold the law at all costs, Galt is grimly determined to see that Benjie will receive a fair trial without any coercion on his part. But the townsfolk have already decided that the sheriff will try to spring the boy, and a lynch-mob mentality slows festers its way through the community. As the trial proceeds, it becomes obvious that Benjie is going to hang for his alleged crime, but there's still one or two surprises in store.
In 1891, in a small town in South Dakota, a stagecoach is robbed and the driver is killed. A small fortune in silver dollars has disappeared. The only suspect is Benjamin 'Benjie' Galt, the son of Sheriff Samuel 'Sam' Galt. The lad claims he's innocent but circumstances and a few witnesses place him at the scene of the murder-robbery. Heart-broken but honest, Sheriff Galt arrests his own son and prepares for the trial by hiring the best lawyer in the country to defend Benjie. The Sheriff also hires a local detective to investigate the scene of the stagecoach robbery and possibly dig up any new evidence or witnesses to help clear Benjie of the crime. However, when a silver dollar from the stage robbery loot turns up in the local saloon, the trail leads straight to Benjie.
Art Direction:
Bill Ross
Director:
Sidney Salkow
Director of Photography:
Kenneth Peach
Editor:
Grant Whytock
Music:
Emil Newman
Producer:
Jerome C. Robinson
Property Master:
Max Frankel
Script Supervisor:
George Rutter
Set Decoration:
Herman N. Schoenbrun
Writer:
Seeleg Lester
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.