The Best Man (1964) [NR]

Release Date:
April 5, 1964

Original Title:
The Best Man

Alternate Titles:
El mejor candidato
Gore Vidal's The Best Man
Vassalos da Ambição

Genres:
Comedy | Drama

Production Companies:
United Artists

Production Countries:
United States of America

Ratings / Certifications:
DE: 16  US: NR 

Runtime: 102

Does The Best Man Always Get To The White House?

The other party is in disarray. Five men vie for the party nomination for president. No one has a majority as the first ballot closes and the front-runners begin to decide how badly they want the job.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Assistant Director:
Dick Moder

Assistant Editor:
George E. Swink

Camera Operator:
Robert Johannes

Casting Director:
Lynn Stalmaster

Costume Supervisor:
Dorothy Jeakins

Director:
Franklin J. Schaffner

Director of Photography:
Haskell Wexler

Editor:
Robert Swink

Editorial Consultant:
Hal Ashby

Hairstylist:
Virginia Jones

Makeup Artist:
Ben Lane

Music Editor:
Jim Henrikson

Original Music Composer:
Mort Lindsey

Presenter:
Stuart Millar
Lawrence Turman

Producer:
Stuart Millar
Lawrence Turman

Producer's Assistant:
Marion Rosenberg

Production Design:
Lyle R. Wheeler

Production Executive:
Tom Mankiewicz

Production Supervisor:
Ben Hersh

Property Master:
Max Frankel

Screenplay:
Gore Vidal

Script Supervisor:
Kay Thackery

Set Decoration:
Richard Mansfield

Sound:
Jack Solomon

Sound Editor:
Don Hall

Story:
Gore Vidal

Unit Manager:
Robert Goodstein

Wardrobe Designer:
Kathleen Dennis
Ted Tetrick

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.