A work in constant progress (and occasional regress).
Art Direction:
1990 País de octubre
1991 The Frontier
1992 Archipiélago
1993 Ciénaga
1993 Johnny One Hundred Pesos
1995 La rubia de Kennedy
1996 Mi último hombre
2000 El vecino
Production Design:
1990 País de octubre
1991 The Frontier
1992 Amelia Lópes O'Neill
1992 Archipiélago
1993 Ciénaga
1993 Johnny One Hundred Pesos
1995 La rubia de Kennedy
1996 Mi último hombre
2000 El vecino
2014 What Did You Tell God?
2015 The Last One and then We Go
2020 Crazy for Change
2020 Veinteañera, divorciada y fantástica
Production Designer:
1990 País de octubre
1991 The Frontier
1992 Amelia Lópes O'Neill
1992 Archipiélago
1993 Ciénaga
1993 Johnny One Hundred Pesos
1995 La rubia de Kennedy
1996 Mi último hombre
2000 El vecino
2014 What Did You Tell God?
2015 The Last One and then We Go
2020 Crazy for Change
2020 The Seduction School
2020 Veinteañera, divorciada y fantástica
Set Decoration:
1988 Der Radfahrer von San Cristóbal
1988 Terre sacrée
1990 País de octubre
1991 The Frontier
1992 Amelia Lópes O'Neill
1992 Archipiélago
1993 Ciénaga
1993 Johnny One Hundred Pesos
1995 La rubia de Kennedy
1996 Mi último hombre
2000 El vecino
2014 What Did You Tell God?
2015 The Last One and then We Go
2020 Crazy for Change
2020 The Seduction School
2020 Veinteañera, divorciada y fantástica
Set Designer:
1988 Der Radfahrer von San Cristóbal
1988 Terre sacrée
1990 Latent Image
1990 País de octubre
1991 The Frontier
1992 Amelia Lópes O'Neill
1992 Archipiélago
1993 Ciénaga
1993 Johnny One Hundred Pesos
1995 La rubia de Kennedy
1996 Mi último hombre
2000 El vecino
2014 What Did You Tell God?
2015 The Last One and then We Go
2020 Crazy for Change
2020 The Seduction School
2020 Veinteañera, divorciada y fantástica
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.