A work in constant progress (and occasional regress).
Release Date:
May 29, 2015
Original Title:
Una última y nos vamos
Alternate Titles:
Tierras Rojas
Genres:
Adventure | Comedy | Family
Production Companies:
Epoca Films
Neverending Media
Salamandra Films
Production Countries:
Mexico
Ratings / Certifications:
N/A
Runtime: 111
A group of mariachis receives a letter to be part of the National Mariachi Contest in Mexico City. In order to be able to win they will need to travel together and solve their differences since their prime was 30 years ago.
Art Department Coordinator:
Elena Hernandez
Assistant Production Manager:
Gustavo Baeza Vila
Associate Producer:
Eckehardt Von Damm
Jimena L. Arguelles Izaguirre
Boom Operator:
Felipe Zavala
Camera Operator:
Mario Gallegos
Co-Producer:
Francesco Papini
César Rodríguez
Noé Santillán-López
Costume Design:
Atzin Hernández
Denisse Zamudio Herrera
Dialogue Editor:
Talia Ruiz
Director:
Noé Santillán-López
Director of Photography:
Mario Gallegos
Editor:
Angel de Guillermo
Executive Producer:
Mauricio Argüelles
First Assistant Director:
Valeria Villalobos
Graphic Designer:
Lizeth Elizalde
Makeup Designer:
Ana Isabel Vallejo
Musician:
Pablo Hopenhayn
Original Music Composer:
Arturo Solar
Post Production Supervisor:
Angel de Guillermo
Producer:
Martha Higareda
Mauricio Argüelles
Production Assistant:
Sofia Granados
Production Design:
Juan Carlos Castillo
Production Manager:
Farah Palomino Paredes
Scoring Mixer:
Justin Moshkevich
Jeremy Underwood
Screenplay:
Mauricio Argüelles
César Rodríguez
Second Assistant Director:
Cynthia Marín
Set Decoration:
Roberto Revilla
Set Dresser:
Roberto Revilla
Sound Designer:
Miguel Ángel Molina
Sound Mixer:
Erick Ruiz Arellano
Transportation Coordinator:
Sergio Galicia
Unit Production Manager:
Alejandra Santana
Wardrobe Coordinator:
Michel Chavarría
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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