A work in constant progress (and occasional regress).
Release Date:
September 15, 1988
Original Title:
Terre sacrée
Alternate Titles:
Tierra sagrada
Genres:
Drama
Production Companies:
Arion Productions
CNC
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 95
A Chilean returning to Santiago to find out what has happened to his native country while he has been away, discovers much about himself.
Administration:
Isabelle Vignitchouk
Eliana Soto
Assistant Camera:
Michel Taburiaux
Hugo Ramirez
Assistant Costume Designer:
Sergio Aravena
Assistant Director:
Hernán Littin
Daniel de la Vega
Camera Operator:
Ana Maria Cruzat
Eduardo Arcos
Mara Sánchez
Eduardo Duran
Marcello Macaya
Roberto Sancho
Alica Lawner
Costume Design:
Claire Fraisse
Coco Herry
Costumer:
Montserrat Catalá
Decorator:
Carolina Guarachi
María Eugenia Hederra
Luis Becerra
Antonio Lorca
Dialogue:
Antoine Lacomblez
Director:
Emilio Pacull
Director of Photography:
Pierre-Laurent Chénieux
Editor:
Dominique B. Martin
Valérie Longeville
Sylvie Liebeaux
Electrician:
Guillermo Álvarez
Manuel Soto
Idea:
Emilio Pacull
Makeup Artist:
Laura Pradel
Music Director:
Guillermo Rifo
Original Music Composer:
Jorge Arriagada
Other:
Gilbert Crozet
Presenter:
Patrick Sandrin
Producer:
Patrick Sandrin
Production Director:
Rosine Robiolle
Marie-Rose Venuti
Production Secretary:
Ada Sentier
Teresa Cantu
Screenplay:
Antoine Lacomblez
Emilio Pacull
Script Supervisor:
Claire Lusseyrand
Set Decoration:
Juan Carlos Castillo
Set Propsman:
Adolfo Wigner
Sound:
Bernard Aubouy
Sound Assistant:
Véronique Aubouy
Sound Editor:
Marie Pomme Carteret
Anne Klotz
Sound Effects:
Henri Humbert
Sound Mixer:
Vincent Arnardi
Still Photographer:
Felipe Orrego
Thanks:
Marcel Mazoyer
Germán Camus
Writer:
Evelyne Pieiller
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.