A work in constant progress (and occasional regress).
Release Date:
July 24, 2020
Original Title:
Summerland
Alternate Titles:
Kraina Lata
Summerland
Genres:
Drama | Romance
Production Companies:
Iota Pictures
Shoebox Films
Production Countries:
United Kingdom
Ratings / Certifications:
BR: 10 DE: 6 FI: K-7 FR: U GB: 12 IE: 12 MX: B-15 NL: 12 NO: 9 PT: M/12 SE: 11 US: PG
Runtime: 100
A woman during the Second World War opens her heart to an evacuee after initially resolving to be rid of him.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Mixer:
Nick Kray
ADR Voice Casting:
Abigail Barbier
Art Direction:
Jono Moles
Assistant Accountant:
Georgie Teboul
Claus Lund
Assistant Art Director:
Rosalind Grégoire
Assistant Location Manager:
Julian Bivol
Camera Operator:
Laurie Rose
Casting:
Shaheen Baig
Casting Assistant:
Jonny Boutwood
Casting Associate:
Michelle Giovanni
Colorist:
John Claude
Conductor:
Viktor Orri Árnason
Construction Manager:
Will Gordon
Costume Design:
Claire Finlay-Thompson
Costume Standby:
Caylee Webber
Holly Mayes
Costume Supervisor:
Helen Bolter
Dialogue Editor:
Alexej Mungersdorff
Digital Compositor:
Paulo Alexandre Mateus
Digital Imaging Technician:
Kevin Bell
Ollie Martin
Digital Intermediate Producer:
Charlotte Llewelyn
Director:
Jessica Swale
Director of Photography:
Laurie Rose
Driver:
Dave Neo
Drone Operator:
Chris Bates
EPK Editor:
Phillip Hockley
Editor:
Tania Reddin
Electrician:
Mikey Ray Harkins
Chris G Parker
Executive Producer:
Gemma Arterton
Natascha Wharton
Jan Pace
James Atherton
Emma Berkofsky
Hugo Grumbar
Tim Haslam
Zygi Kamasa
First Assistant "A" Camera:
Catherine Brown
First Assistant Director:
Clare Awdry
First Assistant Editor:
Emilio Pittier Garcia
Floor Runner:
Megan Klejn
Foley Mixer:
Srdjan Kurpjel
Gaffer:
Stuart King
Graphic Designer:
Fiona Cooney
Grip:
Steve Pugh
Hair Designer:
Lisa Cavalli-Green
Key Grip:
Louisa Court
Line Producer:
Greg McManus
Location Manager:
Peter-Frank Dewulf
Makeup Artist:
Laura Miles
Makeup Designer:
Lisa Cavalli-Green
Makeup Supervisor:
Liberty Haynes
Marine Coordinator:
Richard Carless
Music Editor:
Sarah Bridge
Vanesa Lorena Tate
Peter Clarke
Music Supervisor:
Sarah Bridge
Online Editor:
Gareth Bishop
Original Music Composer:
Volker Bertelmann
Painter:
Ludo Lawlor Smith
Producer:
Adrian Sturges
Guy Heeley
Production Accountant:
Sarah Teboul
Production Assistant:
Georgia Moir
Production Coordinator:
Daniel Watkins
Production Design:
Christina Moore
Production Manager:
Lara Doree
Production Runner:
Sei-Kai Leung
Production Secretary:
Giovanna Midgley
Production Sound Mixer:
Nigel Albermaniche
Property Master:
Adam McCreight
Script Supervisor:
Francesca Brooks
Second Assistant "B" Camera:
Alison Streatfield
Second Assistant Director:
Natasha Fournel
Second Unit Director of Photography:
Fabrizio Sciarra
Set Decoration:
Philippa Hart
Set Dresser:
Manuel Vilaseca Vaya
Sound Editor:
Jack Wensley
Sound Effects Editor:
Jamie McPhee
Sound Re-Recording Mixer:
Ben Baird
Steadicam Operator:
Fabrizio Sciarra
Andrew Michael Fletcher
Alf Tramontin
Still Photographer:
Michael Wharley
Stunt Coordinator:
Elaine Ford
Sarah Franzl
Jamie Edgell
Stunts:
Chelsea Mather
Anton Simpson-Tidy
Ian Kay
Elizabeth Donker Curtius
Supervising Music Editor:
Richard Todman
Third Assistant Director:
Sarah Lamb
Title Designer:
Matt Curtis
Underwater Director of Photography:
Amy Silk
Unit Publicist:
Joanna Sturrock
Kirsty Langsdale
VFX Editor:
Roberta Fischetti
Alicia Abril Carrera
Visual Effects Coordinator:
Camilla May Brisley
Charlene Haywood
Visual Effects Production Assistant:
Ben Duff
Visual Effects Production Manager:
Megan Louise Smith
Visual Effects Supervisor:
Marcin Kolendo
Writer:
Jessica Swale
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.