Summerland (2020) [PG]

Release Date:
July 24, 2020

Original Title:
Summerland

Alternate Titles:
Kraina Lata
Summerland

Genres:
Drama | Romance

Production Companies:
Iota Pictures
Shoebox Films

Production Countries:
United Kingdom

Ratings / Certifications:
BR: 10  DE: 6  FI: K-7  FR: U  GB: 12  IE: 12  MX: B-15  NL: 12  NO: 9  PT: M/12  SE: 11  US: PG 

Runtime: 100

Love. Magic. Hope.

A woman during the Second World War opens her heart to an evacuee after initially resolving to be rid of him.

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ADR Mixer:
Nick Kray

ADR Voice Casting:
Abigail Barbier

Art Direction:
Jono Moles

Assistant Accountant:
Georgie Teboul
Claus Lund

Assistant Art Director:
Rosalind Grégoire

Assistant Location Manager:
Julian Bivol

Camera Operator:
Laurie Rose

Casting:
Shaheen Baig

Casting Assistant:
Jonny Boutwood

Casting Associate:
Michelle Giovanni

Colorist:
John Claude

Conductor:
Viktor Orri Árnason

Construction Manager:
Will Gordon

Costume Design:
Claire Finlay-Thompson

Costume Standby:
Caylee Webber
Holly Mayes

Costume Supervisor:
Helen Bolter

Dialogue Editor:
Alexej Mungersdorff

Digital Compositor:
Paulo Alexandre Mateus

Digital Imaging Technician:
Kevin Bell
Ollie Martin

Digital Intermediate Producer:
Charlotte Llewelyn

Director:
Jessica Swale

Director of Photography:
Laurie Rose

Driver:
Dave Neo

Drone Operator:
Chris Bates

EPK Editor:
Phillip Hockley

Editor:
Tania Reddin

Electrician:
Mikey Ray Harkins
Chris G Parker

Executive Producer:
Gemma Arterton
Natascha Wharton
Jan Pace
James Atherton
Emma Berkofsky
Hugo Grumbar
Tim Haslam
Zygi Kamasa

First Assistant "A" Camera:
Catherine Brown

First Assistant Director:
Clare Awdry

First Assistant Editor:
Emilio Pittier Garcia

Floor Runner:
Megan Klejn

Foley Mixer:
Srdjan Kurpjel

Gaffer:
Stuart King

Graphic Designer:
Fiona Cooney

Grip:
Steve Pugh

Hair Designer:
Lisa Cavalli-Green

Key Grip:
Louisa Court

Line Producer:
Greg McManus

Location Manager:
Peter-Frank Dewulf

Makeup Artist:
Laura Miles

Makeup Designer:
Lisa Cavalli-Green

Makeup Supervisor:
Liberty Haynes

Marine Coordinator:
Richard Carless

Music Editor:
Sarah Bridge
Vanesa Lorena Tate
Peter Clarke

Music Supervisor:
Sarah Bridge

Online Editor:
Gareth Bishop

Original Music Composer:
Volker Bertelmann

Painter:
Ludo Lawlor Smith

Producer:
Adrian Sturges
Guy Heeley

Production Accountant:
Sarah Teboul

Production Assistant:
Georgia Moir

Production Coordinator:
Daniel Watkins

Production Design:
Christina Moore

Production Manager:
Lara Doree

Production Runner:
Sei-Kai Leung

Production Secretary:
Giovanna Midgley

Production Sound Mixer:
Nigel Albermaniche

Property Master:
Adam McCreight

Script Supervisor:
Francesca Brooks

Second Assistant "B" Camera:
Alison Streatfield

Second Assistant Director:
Natasha Fournel

Second Unit Director of Photography:
Fabrizio Sciarra

Set Decoration:
Philippa Hart

Set Dresser:
Manuel Vilaseca Vaya

Sound Editor:
Jack Wensley

Sound Effects Editor:
Jamie McPhee

Sound Re-Recording Mixer:
Ben Baird

Steadicam Operator:
Fabrizio Sciarra
Andrew Michael Fletcher
Alf Tramontin

Still Photographer:
Michael Wharley

Stunt Coordinator:
Elaine Ford
Sarah Franzl
Jamie Edgell

Stunts:
Chelsea Mather
Anton Simpson-Tidy
Ian Kay
Elizabeth Donker Curtius

Supervising Music Editor:
Richard Todman

Third Assistant Director:
Sarah Lamb

Title Designer:
Matt Curtis

Underwater Director of Photography:
Amy Silk

Unit Publicist:
Joanna Sturrock
Kirsty Langsdale

VFX Editor:
Roberta Fischetti
Alicia Abril Carrera

Visual Effects Coordinator:
Camilla May Brisley
Charlene Haywood

Visual Effects Production Assistant:
Ben Duff

Visual Effects Production Manager:
Megan Louise Smith

Visual Effects Supervisor:
Marcin Kolendo

Writer:
Jessica Swale

About the Movie Section

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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