A work in constant progress (and occasional regress).
Additional Photography:
1976 Twentieth Century Oz
Camera Operator:
1976 Twentieth Century Oz
1991 Return to the Blue Lagoon
Cinematography:
1973 And His Ghost May Be Heard
1976 Twentieth Century Oz
1978 Newsfront
1983 Molly
1983 Moving Out
1986 Double Sculls
1991 Return to the Blue Lagoon
Director:
1973 And His Ghost May Be Heard
1976 Twentieth Century Oz
1978 Newsfront
1983 Molly
1983 Moving Out
1986 Double Sculls
1986 Windrider
1991 Fatal Bond
1991 Return to the Blue Lagoon
1996 Point of No Return
2001 The Hit
Director of Photography:
1973 And His Ghost May Be Heard
1975 The True Story of Eskimo Nell
1976 Twentieth Century Oz
1977 Raw Deal
1978 Newsfront
1979 Long Weekend
1979 Snapshot
1979 Thirst
1981 Race for the Yankee Zephyr
1981 Roadgames
1982 Crosstalk
1982 Heatwave
1982 Norman Loves Rose
1983 Hostage
1983 Molly
1983 Moving Out
1985 The Dunera Boys
1986 Double Sculls
1986 Windrider
1989 Innocent Prey
1991 Fatal Bond
1991 Return to the Blue Lagoon
1996 Point of No Return
2001 The Hit
Helicopter Camera:
1973 And His Ghost May Be Heard
1975 The True Story of Eskimo Nell
1976 Twentieth Century Oz
1977 Raw Deal
1978 Newsfront
1979 Long Weekend
1979 Snapshot
1979 Thirst
1981 Race for the Yankee Zephyr
1981 Roadgames
1982 Crosstalk
1982 Heatwave
1982 Norman Loves Rose
1983 Hostage
1983 Molly
1983 Moving Out
1985 The Dunera Boys
1986 Double Sculls
1986 Windrider
1988 Grievous Bodily Harm
1989 Innocent Prey
1991 Fatal Bond
1991 Return to the Blue Lagoon
1996 Point of No Return
2001 The Hit
Screenplay:
1973 And His Ghost May Be Heard
1975 The True Story of Eskimo Nell
1976 Twentieth Century Oz
1977 Raw Deal
1978 Newsfront
1979 Long Weekend
1979 Snapshot
1979 Thirst
1981 Race for the Yankee Zephyr
1981 Roadgames
1982 Crosstalk
1982 Heatwave
1982 Norman Loves Rose
1983 Hostage
1983 Molly
1983 Moving Out
1985 The Dunera Boys
1986 Double Sculls
1986 Windrider
1988 Grievous Bodily Harm
1989 Innocent Prey
1991 Fatal Bond
1991 Return to the Blue Lagoon
1996 Point of No Return
2001 The Hit
Second Unit Director:
1973 And His Ghost May Be Heard
1975 The True Story of Eskimo Nell
1976 Twentieth Century Oz
1977 Raw Deal
1978 Newsfront
1979 Long Weekend
1979 Snapshot
1979 Thirst
1981 Race for the Yankee Zephyr
1981 Roadgames
1982 Crosstalk
1982 Heatwave
1982 Norman Loves Rose
1983 Hostage
1983 Molly
1983 Moving Out
1985 The Dunera Boys
1986 Double Sculls
1986 Windrider
1988 Grievous Bodily Harm
1989 Dead Calm
1989 Innocent Prey
1991 Fatal Bond
1991 Return to the Blue Lagoon
1996 Point of No Return
2001 The Hit
Writer:
1973 And His Ghost May Be Heard
1975 The True Story of Eskimo Nell
1976 Twentieth Century Oz
1977 Raw Deal
1978 Newsfront
1979 Long Weekend
1979 Snapshot
1979 Thirst
1981 Race for the Yankee Zephyr
1981 Roadgames
1982 Crosstalk
1982 Heatwave
1982 Norman Loves Rose
1983 Hostage
1983 Molly
1983 Moving Out
1985 The Dunera Boys
1986 Double Sculls
1986 Windrider
1988 Grievous Bodily Harm
1989 Dead Calm
1989 Innocent Prey
1991 Fatal Bond
1991 Return to the Blue Lagoon
1996 Point of No Return
1999 Black Light
1999 The Millennium Disaster - Computer Crash 2000
2000 Reaper
2001 Sweet Revenge
2001 The Hit
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.