A work in constant progress (and occasional regress).
Release Date:
October 26, 1988
Original Title:
Grievous Bodily Harm
Alternate Titles:
Begegnung mit einer Toten
Grievous Bodily Harm
Genres:
Crime | Drama | Mystery | Thriller
Production Companies:
FGH
International Film Management
Smiley Films
Production Countries:
Australia
Ratings / Certifications:
AU: MA15+ DE: 16 US: R
Runtime: 96
A schoolteacher (John Waters) becomes obsessed with the idea that his wife (Joy Bell) did not die in a car accident, as everyone else thinks.
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Art Direction:
Laurie Faen
Assistant Editor:
Jenny Hicks
Assistant Grip:
Martyn Foster
Best Boy Electric:
Patrick O'Farrell
Boom Operator:
Scott Rawlings
Camera Operator:
David Williamson
Clapper Loader:
Philip Murphy
Continuity:
Pamela Willis
Costume Design:
Roger Ford
Director:
Mark Joffe
Director of Photography:
Ellery Ryan
Editor:
Marc van Buuren
Electrician:
Robert Lowe
Executive Producer:
Charles W. Fries
Antony I. Ginnane
Errol Sullivan
First Assistant Director:
Euan Keddie
Focus Puller:
Tracy Kubler
Gaffer:
Simon Lee
Generator Operator:
Peter Bushby
Hairdresser:
Johnathan Malone
Helicopter Camera:
Vincent Monton
Key Grip:
Barry Hansen
Location Manager:
Phillip Roope
Makeup Artist:
Wendy Sainsbury
Music:
Chris Neal
Producer:
Richard Brennan
Production Accountant:
Jill Coverdale
Production Design:
Roger Ford
Production Manager:
Julie Forster
Production Secretary:
Rowena Talacko
Production Supervisor:
Julie Monton
Screenplay:
Warwick Hind
Script Editor:
Ron Blair
Second Assistant Director:
Jamie Crooks
Set Dresser:
Eugene Intas
Donna Brown
Set Dressing Buyer:
Donna Brown
Eugene Intas
Sound Editor:
Rick Lisle
Philip Dickson
Karin Whittington
Sound Mixer:
Ian McLoughlin
Sound Re-Recording Mixer:
Phil Judd
Sound Recordist:
Andrew Ramage
Steadicam Operator:
David Woodward
Still Photographer:
Robert McFarlane
Stunt Coordinator:
Guy Norris
Stunts:
Avril Wynne
Russell Allan
Third Assistant Director:
Sarah Lewis
Title Designer:
Fran Burke
Unit Manager:
Hugh Johnston
Visual Effects:
Roger Cowland
Wardrobe Supervisor:
Louise Wakefield
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.