A work in constant progress (and occasional regress).
Release Date:
April 7, 1989
Original Title:
Dead Calm
Alternate Titles:
Dead Calm - OZ
Halálos nyugalom
Martwa Cisza
Terror a Bordo
Terror a bordo
Úplné bezvětří
Genres:
Horror | Thriller
Production Companies:
Kennedy Miller Productions
Warner Bros. Pictures
Production Countries:
Australia
Ratings / Certifications:
AU: M DE: 16 FI: K-16 FR: 12 GB: 15 IE: 15 US: R
Runtime: 96
An Australian couple takes a sailing trip in the Pacific to get over the recent loss of their son. While on the open sea, they come across a sinking ship with one survivor who is not at all what he seems.
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Additional Camera:
Kevan Lind
Additional Director of Photography:
Ross Berryman
Ian Jones
Additional Gaffer:
Tony Holtham
Lindsay Foote
Additional Set Dresser:
Mont Fieguth
Aerial Camera:
Ian Jones
Art Department Coordinator:
Leah Cocks
Judy Ditter
Art Direction:
Kim Hilder
Assistant Accountant:
John May
Assistant Grip:
Ian McAlpine
Kerry Jackson
Danny Lockett
Gary Shearsmith
Assistant Sound Editor:
Antony Gray
Noelleen Westcombe
Nick Breslin
Jane Maguire
Associate Editor:
Louise Innes
Best Boy Electric:
Alan Dunstan
Grant Atkinson
Boom Operator:
Gerry Nucifora
Joe Spinelli
Casting:
Wallis Nicita
Liz Mullinar
Casting Associate:
Joanne Zaluski
Clapper Loader:
David Lindsay
Sean McClory
Glen Cogan
Color Grading:
Arthur Cambridge
Construction Coordinator:
Dennis Smith
Construction Manager:
John Rann
Bill Howe
Continuity:
Shirley Ballard
Alison Ely
Costume Design:
Norma Moriceau
Costume Supervisor:
Susan Pullen
Dialogue Editor:
Annabelle Sheehan
Tim Jordan
Susan Metcalfe
Director:
Phillip Noyce
Director of Photography:
Dean Semler
Geoff Burton
Editor:
Richard Francis-Bruce
Electrician:
Trevor Ripper
Dean Bryan
Craig Sykes
Paul Moyce
First Assistant Director:
Colin Fletcher
Tony Wellington
Murray Robertson
Charles Rotherham
Keith Heygate
First Assistant Editor:
Sue Blainey
Focus Puller:
Colin Deane
Brian J. Breheny
Darrin Keough
Foley Editor:
Steve Burgess
Gerry Long
Gaffer:
John Morton
Ian Plummer
Generator Operator:
Tex Foote
Key Grip:
Irvine G. McLaughlin
Colin Tulloch
Bruce Barber
Location Manager:
Stephen Saks
Peter Lawless
Makeup Department Head:
Noriko Watanabe
Novel:
Charles Williams
Original Music Composer:
Graeme Revell
Post Production Supervisor:
Claire O'Brien
Marcus D'Arcy
Producer:
Terry Hayes
Doug Mitchell
George Miller
Production Accountant:
Janeen Faithfull
Production Coordinator:
Mary-Jane Yates
Dixie Betts
Production Design:
Graham 'Grace' Walker
Production Manager:
Narelle Barsby
Barbara Gibbs
Production Secretary:
Maggie Lake
Property Buyer:
Ian Allen
Prosthetics:
Bob McCarron
Rigging Grip:
David Thomas
Scenic Artist:
Billy Malcolm
Ray Pedler
Script Supervisor:
Jenny Quigley
Sculptor:
Billy Malcolm
Second Assistant Director:
John Titley
Ian Astridge
Second Unit Director:
Vincent Monton
George Miller
Set Dresser:
Ian Allen
Sound Designer:
Lee Smith
Sound Effects Editor:
Peter Townend
Sound Mixer:
Roger Savage
Phil Judd
Sound Re-Recording Mixer:
Angus Robertson
Sound Recordist:
Ben Osmo
Lloyd Carrick
Special Effects Coordinator:
Brian Cox
Special Effects Technician:
David Hardie
David Young
Chris Murray
Wilson Starr
Special Props:
Guido Helmstetter
Standby Property Master:
Karan Monkhouse
George Zammit
Steadicam Operator:
Ian Jones
Still Photographer:
Jim Sheldon
Storyboard Artist:
Ty Bosco
Stunt Coordinator:
Glenn Ruehland
Glenn Boswell
Stunt Double:
Jeff Powis
Kate Quinn
Stunts:
Lyddy Van Gyen
Michael Read
Tony Lynch
Richard Boué
Underwater Camera:
Ian Jones
Unit Manager:
Neville Mason
Phillip Roope
Visual Effects:
Roger Cowland
Wardrobe Coordinator:
Jenny Campbell
Writer:
Terry Hayes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.