A work in constant progress (and occasional regress).
Alias:
Tony R. Volante
Tony Violante
Tony Volonte
Mixing Engineer:
2018 I Think We're Alone Now
Scoring Mixer:
2018 I Think We're Alone Now
2019 Kinky Boots: The Musical
Sound:
2008 Taking Root: The Vision of Wangari Maathai
2018 I Think We're Alone Now
2019 Kinky Boots: The Musical
Sound Re-Recording Mixer:
1995 Welcome to the Dollhouse
1996 The Last Home Run
1999 Desert Blue
2001 Children Underground
2002 Tully
2004 Coffee and Cigarettes
2005 Cinderella Man
2005 Transamerica
2007 Hot Rod
2008 Gonzo: The Life and Work of Dr. Hunter S. Thompson
2008 Taking Root: The Vision of Wangari Maathai
2009 Motherhood
2010 Blue Valentine
2010 Casino Jack and the United States of Money
2010 MacGruber
2010 Twelve
2011 Limitless
2011 Trespass
2012 The Zen of Bennett
2013 Kill Your Darlings
2013 Shrek the Musical
2013 The Place Beyond the Pines
2014 Time Out of Mind
2015 How to Dance in Ohio
2015 Meadowland
2015 Staten Island Summer
2015 What Happened, Miss Simone?
2016 Paterson
2016 The Light Between Oceans
2016 Zero Days
2017 Oh, Hello on Broadway
2017 Pottersville
2017 The Wall
2018 Boy Erased
2018 Hale County This Morning, This Evening
2018 Hold the Dark
2018 I Think We're Alone Now
2018 When We First Met
2018 Wildlife
2019 Charlie Says
2019 Kinky Boots: The Musical
2020 Crazy, Not Insane
2020 Hamilton
2021 Britney vs. Spears
2021 Mayor Pete
2022 Rosaline
2023 Beyond Utopia
2023 Showing Up
2024 Jim Henson Idea Man
2024 Nickel Boys
Supervising Sound Editor:
1995 Welcome to the Dollhouse
1996 The Last Home Run
1999 Desert Blue
2001 Children Underground
2002 Tully
2004 Coffee and Cigarettes
2005 Cinderella Man
2005 Transamerica
2007 Hot Rod
2008 Gonzo: The Life and Work of Dr. Hunter S. Thompson
2008 Taking Root: The Vision of Wangari Maathai
2009 Motherhood
2010 Blue Valentine
2010 Casino Jack and the United States of Money
2010 MacGruber
2010 Twelve
2011 Limitless
2011 Trespass
2012 The Zen of Bennett
2013 Kill Your Darlings
2013 Shrek the Musical
2013 The Place Beyond the Pines
2014 Time Out of Mind
2015 How to Dance in Ohio
2015 Meadowland
2015 Staten Island Summer
2015 What Happened, Miss Simone?
2016 Paterson
2016 The Light Between Oceans
2016 Zero Days
2017 Oh, Hello on Broadway
2017 Pottersville
2017 The Wall
2018 Boy Erased
2018 Hale County This Morning, This Evening
2018 Hold the Dark
2018 I Think We're Alone Now
2018 When We First Met
2018 Wildlife
2019 Charlie Says
2019 Kinky Boots: The Musical
2020 Crazy, Not Insane
2020 Hamilton
2021 Britney vs. Spears
2021 Mayor Pete
2022 Rosaline
2023 Beyond Utopia
2023 Showing Up
2024 Jim Henson Idea Man
2024 Nickel Boys
Sound Re-Recording Mixer:
2019 Fosse/Verdon
2020 I Know This Much Is True
2020 The Innocence Files
Supervising Sound Editor:
2019 Fosse/Verdon
2020 I Know This Much Is True
2020 The Innocence Files
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.