A work in constant progress (and occasional regress).
Release Date:
May 12, 2017
Original Title:
The Wall
Alternate Titles:
En la mira del francotirador
Na Mira do Atirador
The Wall
Стена
生死之墙
Genres:
Action | Drama | Thriller | War
Production Companies:
Amazon Studios
Big Indie Pictures
Picrow
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ BR: 14 CA: 18A ES: 12 FR: TP GB: 15 IE: 15 NL: 16 PT: M/14 US: R
Runtime: 90
An American sniper and his spotter engage in a deadly cat-and-mouse game with an Iraqi sniper.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"A" Camera Operator:
Martin Schaer
"B" Camera Operator:
Jon Philion
Michael-Ryan Fletchall
ADR Coordinator:
Tricia Schultz
ADR Editor:
Gina Alfano
ADR Mixer:
Bobby Johanson
ADR Recordist:
Michael Rivera
ADR Voice Casting:
Dann Fink
Armorer:
Harry Lu
Art Department Coordinator:
Jade Fox
Kris Peck
Art Direction:
Cassidy Shipley
Assistant Editor:
Eric Spang
Samuel Rosenberg
Assistant Property Master:
Robbie Duncan
Associate Producer:
Alison Winter
Background Casting Director:
Angie Glover
Best Boy Electric:
Jesse Jaraczewski
Best Boy Grip:
Kris Ostergaard
Boom Operator:
David Raymond
Camera Loader:
Ryan Creasy
Casting:
Mindy Marin
Casting Associate:
Kara Lipson
Construction Coordinator:
Steve Eshenbaugh
Costume Assistant:
Jillian Daidone
Costume Design:
Cindy Evans
Costume Supervisor:
Jason M. Moore
Craft Service:
Jeremy Cross
Dialogue Editor:
Gerald Donlan
Dan Korintus
Nicholas Renbeck
Digital Intermediate:
Frederick Agyemang
Matt Caruso
Mark Anthony Dellas
Andrew Minogue
Director:
Doug Liman
Director of Photography:
Roman Vasyanov
Dolly Grip:
Gray Lanaux
Editor:
Julia Bloch
Executive Producer:
Ray Angelic
First Assistant "A" Camera:
Simon England
First Assistant "B" Camera:
Josh Friz
First Assistant Accountant:
Edward E. Giddens
First Assistant Director:
Michael J. Moore
First Assistant Editor:
Kathryn J. Schubert
Foley:
Marko Costanzo
Brian Vancho
George A. Lara
Foley Editor:
Dow McKeever
Marsha Moore Mckever
Lawrence Herman
Gaffer:
Joshua Stern
Grip:
Gabe Camacho
Derek Dresda
Grant Vaught
Key Grip:
Manny Duran
Key Makeup Artist:
Francisco X. Pérez
Jamie Kelman
Leadman:
David Loitz
Lighting Technician:
Evan Ostrovski
Location Manager:
Richard Schuler
Makeup Department Head:
Tami Lane
Music Editor:
Mick Gormaley
Post Production Supervisor:
Nicole LaLoggia
Alexis Wiscomb
Producer:
Dave Bartis
Carrie Prince
Production Accountant:
Paul Giorgi
Production Coordinator:
Selena Carrillo
Production Design:
Jeff Mann
Production Manager:
Georgina Marquis
Warren Upson
Production Secretary:
Carrie Prince
Mark Sandoval
Production Sound Mixer:
Geoffrey Patterson
Production Supervisor:
Georgina Marquis
Property Master:
Kris Peck
Publicist:
Rachel Aberly
Script Supervisor:
Susan Malerstein
Second Assistant "A" Camera:
Joseph Arthur Soria
Second Assistant "B" Camera:
Dennis Dwyer
Second Assistant Director:
Matt Haggerty
Set Decoration:
Kelly Berry
Set Medic:
Ruben Rico
Sound Designer:
Mariusz Glabinski
Sound Effects Editor:
John Werner
Sound Engineer:
Avi Laniado
Sound Re-Recording Mixer:
Tony Volante
Special Effects:
Brendon O'Dell
Elia P. Popov
Special Effects Coordinator:
Elia P. Popov
Special Effects Supervisor:
Brendon O'Dell
Still Photographer:
David James
Stunt Coordinator:
Robert Alonzo
Bob Brown
Stunt Double:
Josh Kemble
Stunts:
Daniel Arrias
Zack Duhame
Samuel Le
Nico Woulard
Casey O'Neill
Gino Woulard
Austin Priester
Craig Henningsen
Malosi Leonard
Supervising Sound Editor:
Mariusz Glabinski
Title Designer:
Richie Adams
Transportation Captain:
Terry Murphy
Transportation Coordinator:
Eric Miller
Unit Production Manager:
Ray Angelic
Visual Effects:
Chris Healer
Visual Effects Producer:
Katherine Hupp
Charles Self
John Skeffington
Visual Effects Supervisor:
Chris Healer
Jeff Wozniak
Wardrobe Supervisor:
Patrick O'Driscoll
Writer:
Dwain Worrell
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.