A work in constant progress (and occasional regress).
Alias:
Mary Lou Treen
Mary Louise Summers
Birthplace:
Saint Louis, Missouri, USA
Born:
March 27, 1907
Died:
July 20, 1989
From Wikipedia, the free encyclopedia: Mary Treen (born Mary Louise Summers, March 27, 1907 – July 20, 1989) was an American film and television actress, a familiar face who brought levity to the screen. A minor actress for much of her career, she managed to secure a plain, unassuming niche for herself in the Hollywood of the 1940s, 1950s, and 1960s. Early years She was born in St. Louis, Missouri, the daughter of attorney Don. C. Summers and actress Helene Sullivan Summers. In 1908, when Mary Louise was 11 months old, her mother sued her father for divorce on the grounds that he failed to provide for her. Her father died while she was an infant. She was reared in California by her mother and her stepfather, a physician. Treen attended the Westlake School for Girls and a convent where she tried out successfully in school plays. Career During her career, Treen was seen in over 40 films. Among her film roles were Tilly, the secretary of the Building and Loan, in It's a Wonderful Life (1946) and the role of Pat in the drama Kitty Foyle (1940) starring Ginger Rogers. Her longest-running role was as Hilda, the maid and baby nurse, in 64 episodes from 1962 to 1965 of the NBC and CBS sitcom The Joey Bishop Show. Earlier, in the 1954–1955 season, she was cast in thirty-eight episodes as Emily Dodger on the CBS sitcom Willy. Death Treen died of cancer in Newport Beach, California, July 20, 1989. She was 82. Her only survivors were distant cousins. One of her cousins was actor Mort Mills.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.