A work in constant progress (and occasional regress).
Release Date:
November 27, 1957
Original Title:
The Sad Sack
Genres:
Comedy
Production Companies:
Hal Wallis Productions
Paramount Pictures
Production Countries:
United States of America
Ratings / Certifications:
AT: 12 US: NR
Runtime: 98
Private Meredith Bixby is so out of step in the Army that his six weeks of planned basic training has now stretched to 17 months. After he loses a tank, WAC Major Shelton, a psychologist, is assigned to make a good soldier out of him. She requests Corporal Dolan and Private Stan Wensalawsky to help with the training. Dolan and Stan both have scores to settle with Bixby and their "guidance" leads to more mishaps. Sergeant Pulley has them shipped out to Morocco. On leave in North Africa, Bixy wanders alone into a bar, has a few Moroccan Delights, which he thinks are malted milks, and becomes convinced that exotic singer-dancer Zita is THE girl for him.
Art Direction:
Hal Pereira
John B. Goodman
Assistant Director:
Charles C. Coleman
Associate Producer:
Paul Nathan
Casting:
Edward R. Morse
Characters:
George Baker
Choreographer:
Charles O'Curran
Costume Design:
Edith Head
Director:
George Marshall
Director of Photography:
Loyal Griggs
Editor:
Archie Marshek
Hair Supervisor:
Nellie Manley
Makeup Supervisor:
Wally Westmore
Original Music Composer:
Walter Scharf
Producer:
Hal B. Wallis
Screenplay:
Edmund Beloin
Nate Monaster
Script Supervisor:
Charles Morton
Set Decoration:
Sam Comer
Ray Moyer
Sound Recordist:
Jim Miller
Harold Lewis
Winston H. Leverett
Special Effects:
John P. Fulton
Unit Production Manager:
Andrew J. Durkus
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.