A work in constant progress (and occasional regress).
Release Date:
September 9, 1943
Original Title:
So Proudly We Hail
Alternate Titles:
Celles que fiers nous saluons
Genres:
Drama | Romance | War
Production Companies:
Paramount Pictures
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 126
During the start of the Pacific campaign in World War II, Lieutenant Janet Davidson is the head of a group of U.S. military nurses who are trapped behind enemy lines in the Philippines. Davidson tries to keep up the spirits of her staff, which includes Lieutenants Joan O'Doul and Olivia D'Arcy. They all seek to maintain a sense of normal life, including dating, while under constant danger as they tend to wounded soldiers.
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Additional Camera:
Stuart Thompson
Additional Writing:
Eunice Hatchitt
Art Direction:
Hans Dreier
A. Earl Hedrick
Assistant Camera:
E. Adams
Assistant Director:
Joseph C. Youngerman
Assistant Production Manager:
Charles Woolstenhulme
Assistant Unit Manager:
Hugh Brown
Director:
Mark Sandrich
Director of Photography:
Charles Lang
Editor:
Ellsworth Hoagland
Executive Producer:
Buddy G. DeSylva
Film Processor:
Farciot Edouart
Hair Supervisor:
Leonora Sabine
Hairstylist:
Peggy Higgins
Hedy Mjorud
LaVaughn Speer
Location Manager:
Norman Lacey
Makeup Artist:
Wally Westmore
Glen Alden
Faye Chaney
Orchestrator:
Eugene Zador
George Parrish
Leo Shuken
Original Music Composer:
Miklós Rózsa
Producer:
Mark Sandrich
Props:
Tom Plews
Second Assistant Director:
Clem Jones
Set Decorating Coordinator:
Sam Comer
Set Decoration:
Steve Seymour
Sound Recordist:
Harold Lewis
Walter Oberst
Special Effects:
Gordon Jennings
Special Effects Technician:
Thol Simonson
Special Sound Effects:
George Dutton
Technical Advisor:
Thomas W. Doyle
Eunice Hatchitt
Visual Effects:
Paul K. Lerpae
Farciot Edouart
Gordon Jennings
Wardrobe Designer:
Pat Williams
Wardrobe Master:
LeVaughn Larson
Writer:
Allan Scott
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.