Simon Dennis

Simon Dennis is a Bafta nominated Cinematographer who has been shooting diverse movies and high end TV drama around the world. Drawn to both fiction as well as true stories that challenge as well as entertain, he prides himself on being versatile and passionate to create visuals that are story driven and emotionally motivated. Raised in rural Devon, UK and bit of a day dreamer at school he was a very curious photographer from a young age, falling in love with Ansel Adams and Black & White imagery. It wasn’t until a course in Fine Arts as a Graphic Designer that he discovered his interest and inner love for film-making and eventually went on to graduate with a first-class Honours Degree in Film & TV studies at Napier Film School in Scotland. It was during this course he discovered the curious role of a Cinematographer for the first time and was fixated by it. So much so he took a leap and spent most of his educational grant on a 16mm Arriflex ST Camera and began to experiment with fellow students. He learnt and honed his craft initially on various 35mm Music Videos before winning a Scottish Bafta for his photography on the short film Sex & Death. He then photographed his first feature film The Last Great Wilderness for acclaimed director David Mackenzie as well other feature length projects including The Sweeney starring Ray Winstone. He then got invited to photograph TV projects including Dr.Who and Ripper Street which then led quickly to the acclaimed Peaky Blinders for which he was nominated for a Bafta and Royal Television Society award for his lighting and craft. He continued with more feature films including The Girl With All The Gifts starring Glenn Close and The Limehouse Golem starring Bill Nighy, plus TV shows Jekyll & Hyde for ITV Studios, Black Sails for Starz and Krypton for Warner Bros. In 2017 he was invited to America to photograph Ryan Murphys now Multi Emmy and Golden Globe winning The Assassination Of Gianni Versace which led to the much acclaimed shows Pose, Ratched, Hollywood and Impeachment : American Crime Story for Fox Studios / Netflix. More recently he shot the 5 part limited series Candy for Hulu and Golden Globe nominated 8 part limited series Fellow Travelers for Showtime. He was invited into the BSC in 2018 and the ASC in 2023.

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Cinematography:
2005  Foighidinn: The Crimson Snowdrop
2006  Nina's Heavenly Delights
2011  A Night in the Woods

Director:
2004  Iota
2005  Foighidinn: The Crimson Snowdrop
2006  Nina's Heavenly Delights
2011  A Night in the Woods

Director of Photography:
2000  Sex & Death
2004  Iota
2005  Foighidinn: The Crimson Snowdrop
2006  Nina's Heavenly Delights
2007  A Woman in Winter
2008  New Town Killers
2011  A Night in the Woods
2011  Dimensions
2012  Pusher
2012  The Sweeney
2013  Alice Walker: Beauty in Truth
2015  American Hero
2016  Kill Command
2016  The Girl with All the Gifts
2016  The Limehouse Golem
2018  I Still See You
2024  The Great Lillian Hall

Editor:
2000  Sex & Death
2004  Iota
2005  Foighidinn: The Crimson Snowdrop
2006  Nina's Heavenly Delights
2007  A Woman in Winter
2008  New Town Killers
2011  A Night in the Woods
2011  Dimensions
2012  Pusher
2012  The Sweeney
2013  Alice Walker: Beauty in Truth
2015  American Hero
2016  Kill Command
2016  The Girl with All the Gifts
2016  The Limehouse Golem
2018  I Still See You
2024  The Great Lillian Hall

Writer:
2000  Sex & Death
2004  Iota
2005  Foighidinn: The Crimson Snowdrop
2006  Nina's Heavenly Delights
2007  A Woman in Winter
2008  New Town Killers
2011  A Night in the Woods
2011  Dimensions
2012  Pusher
2012  The Sweeney
2013  Alice Walker: Beauty in Truth
2015  American Hero
2016  Kill Command
2016  The Girl with All the Gifts
2016  The Limehouse Golem
2018  I Still See You
2024  The Great Lillian Hall

Director of Photography:
2005  Doctor Who
2013  Peaky Blinders
2016  American Crime Story
2018  Krypton
2018  POSE
2020  Hollywood
2022  Candy
2024  Doctor Odyssey

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.