A work in constant progress (and occasional regress).
Release Date:
September 11, 2012
Original Title:
The Sweeney
Alternate Titles:
El escuadron del Miedo
Esquadrão Sem Limites
Krieg in London – The Crime
The Crime Good Cop Bad Cop
Genres:
Action | Crime
Production Companies:
Embargo Films
Exponential Films
Vertigo Films
Production Countries:
United Kingdom
Ratings / Certifications:
AU: MA15+ CH: 16 DE: 16 GB: 15 GR: 16 IE: 15 NL: 16 US: R
Runtime: 112
Jack Regan, a hardened cop who doesn’t play by the rules, is confronted with a criminal from his past. With sidekick George Carter they are put on the case of a jewellery store heist that ends in a killing. But is that killing really an execution in disguise? With pressure from his boss and the fact that Regan is having an affair with that boss’s wife, it’s not going to be easy for him to stay out of trouble.
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ADR Recordist:
Peter Hodges
James Hyde
ADR Voice Casting:
Leoni Kibbey
Armorer:
Rob Partridge
Art Direction:
Gerard Bryan
Assistant Art Director:
Bryony Bradford
Assistant Costume Designer:
Lupt Utama
Assistant Editor:
Dominic Stabb
Paul Apted
Robbie Gibbon
Boom Operator:
Simon Bysshe
Camera Loader:
Tom Walden
Camera Operator:
Jon Garwes
Camera Trainee:
Michael Kinsella-Perks
Casting:
Gary Davy
Casting Assistant:
Daniel Edwards
Characters:
Ian Kennedy Martin
Clapper Loader:
Seán McDermott
Colorist:
Adam Inglis
Construction Manager:
Dave Reed
Costume Design:
Andrew Cox
Dialogue Editor:
Marc Specter
Digital Imaging Technician:
Mary Lobb
Tristan Hey
Director:
Nick Love
Director of Photography:
Simon Dennis
David Meadows
Editor:
James Herbert
Electrician:
Ionut Apetroae
First Assistant Camera:
Jason Iqbal
First Assistant Director:
Jamie Macdermott
First Assistant Editor:
Philip Hedgecock
Focus Puller:
Chris Kane
Foley Editor:
Clemens Endreß
Gaffer:
Chris Georgas
Generator Operator:
David Baker
Hair Designer:
Lucy Cain
Key Costumer:
Mollie Barr
Key Grip:
Anthony Ward
Location Manager:
Matthew Lane
John Lanasis
Makeup Designer:
Lucy Cain
Mix Technician:
Joe Maher
Music Consultant:
Amanda Street
Vicki Williams
Music Editor:
David Paul Dorn
Music Supervisor:
Lol Hammond
Original Music Composer:
Lorne Balfe
Producer:
Felix Vossen
James Richardson
Christopher Simon
Allan Niblo
Rupert Preston
Production Coordinator:
Catherine Golding
Production Design:
Morgan Kennedy
Production Manager:
Louise Killin
Prop Maker:
Sophie Tarver
Property Master:
Garry Dawson
Prosthetic Supervisor:
Kristyan Mallett
Pyrotechnic Supervisor:
Neal Champion
Pyrotechnician:
Bernard Newton
Graham Aikman
Russian Arm Operator:
Toby Plaskitt
Script Editor:
Toby Rushton
Script Supervisor:
Yasmin Rais
Second Assistant Camera:
Stefan R. Krzysiak
Gabriel Albuquerque
Set Decoration:
Kate Guyan
Sound Designer:
Roland Heap
Sound Editor:
Jamie G.
Sound Effects Editor:
Udit Duseja
Enos Desjardins
Sound Mixer:
Russell Edwards
Sound Re-Recording Mixer:
Tobias Fleig
Sound Recordist:
Simon J. Willis
Special Effects Supervisor:
Richard Van Den Bergh
Standby Art Director:
Joe Withers
Steadicam Operator:
Daniel Bishop
Still Photographer:
Zak Chowdhury
Luke Varley
Stunt Coordinator:
Tony Lucken
Visual Effects Supervisor:
Seb Barker
Writer:
Nick Love
John Hodge
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.