A work in constant progress (and occasional regress).
Release Date:
May 13, 2016
Original Title:
Kill Command
Alternate Titles:
Comando Asesino
Comando Kill
Identify
Kill Command - Die Zukunft ist unbesiegbar
Öldür Komutu
杀戮命令
杀死指挥官
殺戮指令
致命指令
킬 커맨드: 드론의 습격
Genres:
Action | Horror | Science Fiction | Thriller
Production Companies:
Bandito
Vertigo Films
Production Countries:
United Kingdom
Ratings / Certifications:
AU: MA15+ DE: 16 FR: 16 GB: 15 HU: 16 NL: 16 SK: 15
Runtime: 99
Set in a near future, technology-reliant society that pits man against killing machines. Against this backdrop an elite army unit is helicoptered to a remote, off-the-grid island training facility. What starts out as a simple training exercise for Captain Bukes and his tight-knit unit, descends into a terrifying battle to the death, as the marines discover the island is overrun by an enemy that transcends the human concept of evil.
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Animation:
Noel Mulvaney
Assistant Costume Designer:
Sophie O'Neill
Camera Operator:
Mark Nutkins
Casting:
Vicky Wildman
Buffy Hall
Costume Design:
Matthew Price
Dialogue Editor:
Marc Specter
Director:
Steven Gomez
Director of Photography:
Simon Dennis
Editor:
Alex Mackie
Celeste Bothwick
First Assistant Camera:
Jason Iqbal
First Assistant Editor:
Yaya Leone
Foley:
Clemens Endreß
Gaffer:
Adam Slater
Line Producer:
Andrew Gwyn Davies
Makeup Artist:
JoJo Williams
Makeup Designer:
Harriet Thompson
Music:
Stephen Hilton
Music Supervisor:
Lol Hammond
Producer:
Jim Spencer
Rupert Preston
Allan Niblo
James Richardson
Production Design:
James Lapsley
Property Master:
Tom Tierney
Script Supervisor:
Roxanne Cuenca
James Atkins
Set Decoration:
Laurel Wear
Sound Designer:
Udit Duseja
Enos Desjardins
Sound Effects Editor:
Jamie Gamache
Sound Re-Recording Mixer:
Roland Heap
Sound Recordist:
Freddie Claire
Henry Milliner
Steadicam Operator:
Fabrizio Sciarra
Daniel Bishop
Still Photographer:
Nick Wall
Stunt Coordinator:
Nick Chopping
Visual Effects Producer:
Jaz Rongokea
Visual Effects Supervisor:
Peter Duncan
Writer:
Steven Gomez
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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