Mary Roscoe (b. 1959)

Birthplace:
Harare,Zimbabwe

Born:
June 12, 1959

Mary grew up in Zimbabwe and came to London to train. She has been acting in film, television and theatre since 1980, and teaching alongside her acting work for 10 years. Recent acting with the acclaimed film directors Mike Leigh and Joanna Hogg led to Mary teaching improvisation for film at several drama schools in London.  Film work includes – Testament of Youth (James Kent), The Riot Club (Lone Scherfig), Paddington (Paul King), Woman in Black Angel of Death (Tom Harper) Exhibition (Joanna Hogg), Les Miserables (Tom Hooper), Suspension of Disbelief (Mike Figgis), Chatroom (Hideo Nakata), Unrelated (Joanna Hogg – Guardian & Evening Standard award for best first film, Independent Film Critic’s Award for best film), Topsy Turvy (Mike Leigh).  TV work includes – War & Peace, Partners in Crime, The Casual Vacancy, Whitechapel, Holby City, Great Expectations, The Crimson Petal and the White, Canoe Man, Antiques Rogue Show, The Thieving Headmistress, George Orwell A Life in Pictures, The Rector’s Wife, Frank Stubbs, Lovejoy, Sorry!  Theatre includes playing lead roles in Repertory Theatres all over UK. London work includes “Aunt Dan & Lemon” Royal Court, Olive Oyl in “Popeye” Arts Theatre, Maria in “Twelfth Night” for Regents Park, “Trilby & Svengali” for Shared Experience at Lyric Hammersmith, 2 years of work for Mike Alfreds at Sadlers Wells, and experimental improvised work with David Gale & David Glass Ensemble.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.