A work in constant progress (and occasional regress).
Alias:
Theodoros Angelopoulos
Théo Angelopoulos
Θόδωρος Αγγελόπουλος
テオドロス・アンゲロプロス
テオ・アンゲロプロス
西奥·安哲罗普洛斯
테오 앙겔로풀로스
테오도로스 앙겔로풀로스
Birthplace:
Athens, Greece
Born:
April 27, 1935
Died:
January 24, 2012
Theodoros "Theo" Angelopoulos (Greek: Θεόδωρος Αγγελόπουλος) (27 April 1935 – 24 January 2012) was a Greek filmmaker, screenwriter and film producer. An acclaimed and multi-awarded film director who dominated the Greek art film industry from 1975 on, Angelopoulos was one of the most influential and widely respected filmmakers in the world. He started making films in 1967. In the 1970s he made a series of political films about modern Greece. Angelopoulos' work, described by Martin Scorsese as that of "a masterful filmmaker", is characterized by slightest movement, slightest change in distance, long takes, and complex yet carefully composed scenes; his cinematic method, as a result, is often described as "sweeping" and "hypnotic." In 1998 his film Eternity and a Day went on to win the prestigious Palme d'Or at the 51st edition of the Cannes Film Festival, and his films have been shown at many of the world's most esteemed film festivals. In 2000 he was the President of the Jury at the 22nd Moscow International Film Festival. The life of Theo Angelopoulos, his work, and his passion were the subject of a documentary directed in 2008 by Elodie Lelu. Angelopoulos died late on Tuesday, 24 January 2012, at 76 years old after being involved in a crash with a motorcycle ridden by an off-duty police officer. He was taken to hospital, where he was treated in an intensive care unit but succumbed to his serious injuries several hours later. Description above from the Wikipedia article Theo Angelopoulos, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Assistant Production Coordinator:
1974 Kierion
Associate Producer:
1974 Kierion
1997 Port Djema
Director:
1968 Broadcast
1970 The Reconstruction
1972 Days of '36
1974 Kierion
1975 The Travelling Players
1977 The Hunters
1980 Alexander the Great
1981 One Village, One Villager...
1983 Athens, Return to the Acropolis
1984 Voyage to Cythera
1986 The Beekeeper
1988 Landscape in the Mist
1991 The Suspended Step of the Stork
1995 Lumière & Company
1995 Ulysses' Gaze
1997 Port Djema
1998 Eternity and a Day
2004 The Weeping Meadow
2007 To Each His Own Cinema
2008 The Dust of Time
2012 Céu Inferior
2012 Invisible World
???? Trois minutes
Idea:
1968 Broadcast
1970 The Reconstruction
1972 Days of '36
1974 Kierion
1975 The Travelling Players
1977 The Hunters
1980 Alexander the Great
1981 One Village, One Villager...
1983 Athens, Return to the Acropolis
1984 Voyage to Cythera
1986 The Beekeeper
1988 Landscape in the Mist
1991 The Suspended Step of the Stork
1995 Lumière & Company
1995 Ulysses' Gaze
1997 Port Djema
1998 Eternity and a Day
2004 The Weeping Meadow
2007 To Each His Own Cinema
2008 The Dust of Time
2012 Céu Inferior
2012 Invisible World
???? Trois minutes
Producer:
1968 Broadcast
1970 The Reconstruction
1972 Days of '36
1974 Kierion
1975 The Travelling Players
1977 The Hunters
1980 Alexander the Great
1981 One Village, One Villager...
1983 Athens, Return to the Acropolis
1984 Voyage to Cythera
1986 The Beekeeper
1988 Landscape in the Mist
1991 The Suspended Step of the Stork
1995 Lumière & Company
1995 Ulysses' Gaze
1997 Port Djema
1998 Eternity and a Day
2004 The Weeping Meadow
2007 To Each His Own Cinema
2008 The Dust of Time
2012 Céu Inferior
2012 Invisible World
???? Trois minutes
Screenplay:
1968 Broadcast
1970 The Reconstruction
1972 Days of '36
1974 Kierion
1975 The Travelling Players
1977 The Hunters
1980 Alexander the Great
1981 One Village, One Villager...
1983 Athens, Return to the Acropolis
1984 Voyage to Cythera
1986 The Beekeeper
1988 Landscape in the Mist
1991 The Suspended Step of the Stork
1995 Lumière & Company
1995 Ulysses' Gaze
1997 Port Djema
1998 Eternity and a Day
2004 The Weeping Meadow
2007 To Each His Own Cinema
2008 The Dust of Time
2012 Céu Inferior
2012 Invisible World
???? Trois minutes
Story:
1968 Broadcast
1970 The Reconstruction
1972 Days of '36
1974 Kierion
1975 The Travelling Players
1977 The Hunters
1980 Alexander the Great
1981 One Village, One Villager...
1983 Athens, Return to the Acropolis
1984 Voyage to Cythera
1986 The Beekeeper
1988 Landscape in the Mist
1991 The Suspended Step of the Stork
1995 Lumière & Company
1995 Ulysses' Gaze
1997 Port Djema
1998 Eternity and a Day
2004 The Weeping Meadow
2007 To Each His Own Cinema
2008 The Dust of Time
2012 Céu Inferior
2012 Invisible World
???? Trois minutes
Writer:
1968 Broadcast
1970 The Reconstruction
1972 Days of '36
1974 Kierion
1975 The Travelling Players
1977 The Hunters
1980 Alexander the Great
1981 One Village, One Villager...
1983 Athens, Return to the Acropolis
1984 Voyage to Cythera
1986 The Beekeeper
1988 Landscape in the Mist
1991 The Suspended Step of the Stork
1995 Lumière & Company
1995 Ulysses' Gaze
1997 Port Djema
1998 Eternity and a Day
2004 The Weeping Meadow
2007 To Each His Own Cinema
2008 The Dust of Time
2012 Céu Inferior
2012 Invisible World
???? Trois minutes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.