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The Dust of Time (2008) [N/A]

Release Date:
November 22, 2008

Original Title:
Η Σκόνη του Χρόνου

Alternate Titles:
I skoni tou hronou
La poussière du temps
Staub der Zeit
Trilogia II: I skoni tou hronou

Genres:
Drama

Production Companies:
Classic Productions
Greek Film Centre
Lichtmeer Film GmbH
Multichoice Hellas-Nova
Studio 217
Theo Angelopoulos Films

Production Countries:
Germany | Greece | Italy | Russia

Ratings / Certifications:
 N/A

Runtime: 128

Overview from TheMovieDB

A, an American film director of Greek ancestry, is making a film that tells his story and the story of his parents. It is a tale that unfolds in Italy, Germany, Russia, Kazakhstan, Canada and the USA. The main character is Eleni, who is claimed and claims the absoluteness of love. At the same time the film is a long journey into the vast history and the events of the last fifty years that left their mark on the 20th century. The characters in the film move as though in a dream. The dust of time confuses memories. A searches for them and experiences them in the present.

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Production

Director:
Theo Angelopoulos

Director of Photography:
Andreas Sinanos

Editor:
Giorgos Helidonidis
Yannis Tsitsopoulos

First Assistant Camera:
Thodoros Mihopoulos

Music:
Eleni Karaindrou

Producer:
Phoebe Economopoulos

Writer:
Theo Angelopoulos
Tonino Guerra
Petros Markaris

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.